The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31 դեկ, 1949 թ. - 802 էջ A reissue in paperback of a title first published in 1949. |
From inside the book
Արդյունքներ 52–ի 1-ից 5-ը:
Էջ xviii
... Pastoral drama · 112 · 112 · I12 · 112 · 113 113-26 · 114 • 116 • 116 · 118 120 • 122 123 126 127-43 127-31 · 127 · 127 • 129 • 130 130 · 130 · 130 · 131 • 131 • 131 131-3 • 132 133-4 • 133 • 133 134 134-5 135-8 135 136 136 137 137 137 ...
... Pastoral drama · 112 · 112 · I12 · 112 · 113 113-26 · 114 • 116 • 116 · 118 120 • 122 123 126 127-43 127-31 · 127 · 127 • 129 • 130 130 · 130 · 130 · 131 • 131 • 131 131-3 • 132 133-4 • 133 • 133 134 134-5 135-8 135 136 136 137 137 137 ...
Էջ xix
... 146 • 146 • 146 · 147 147 147-61 · 147 · 147 147 148 148 149 151 • 151 · 151 · 152 • 152 · 152 153 · 153 · 154 · 155 155 · 155 • 156 · 156 158 159 159 · 160 · 160 • 161 CHAPTER 9. THE RENAISSANCE : PASTORAL AND ROMANCE · 162-77 CONTENTS ...
... 146 • 146 • 146 · 147 147 147-61 · 147 · 147 147 148 148 149 151 • 151 · 151 · 152 • 152 · 152 153 · 153 · 154 · 155 155 · 155 • 156 · 156 158 159 159 · 160 · 160 • 161 CHAPTER 9. THE RENAISSANCE : PASTORAL AND ROMANCE · 162-77 CONTENTS ...
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... PASTORAL AND ROMANCE · 162-77 Introduction Theocritus 162 · • Pastoral in Greece and Rome Vergil and Arcadia Romance in Greece under the Roman empire Description of the Greek romances The three best known in the Renaissance Pastoral and ...
... PASTORAL AND ROMANCE · 162-77 Introduction Theocritus 162 · • Pastoral in Greece and Rome Vergil and Arcadia Romance in Greece under the Roman empire Description of the Greek romances The three best known in the Renaissance Pastoral and ...
Էջ xxx
... pastoral 408 408 408 408 · 409 But for Wordsworth the classics meant spiritual nobility 409 Roman history 409 Stoic philosophy • 410 Platonism · 4II control of emotion · 412 Byron's attitude to Greece and Rome was equivocal 412 he knew ...
... pastoral 408 408 408 408 · 409 But for Wordsworth the classics meant spiritual nobility 409 Roman history 409 Stoic philosophy • 410 Platonism · 4II control of emotion · 412 Byron's attitude to Greece and Rome was equivocal 412 he knew ...
Էջ xxxvi
... Pastoral and Romance 611 • " " 10 : Rabelais and Montaigne · 614 " " 11 : Shakespeare's Classics 617 " " 12 : The Renaissance and Afterwards : Lyric Poetry 13 : Transition • 627 · 638 " " 14 : The Battle of the Books 640 " " 15 : A Note ...
... Pastoral and Romance 611 • " " 10 : Rabelais and Montaigne · 614 " " 11 : Shakespeare's Classics 617 " " 12 : The Renaissance and Afterwards : Lyric Poetry 13 : Transition • 627 · 638 " " 14 : The Battle of the Books 640 " " 15 : A Note ...
Բովանդակություն
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
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727 | |
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733 | |
734 | |
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738 | |
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757 | |
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Common terms and phrases
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
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Էջ iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.