The Classical Tradition : Greek and Roman Influences on Western Literature: Greek and Roman Influences on Western LiteratureOxford University Press, USA, 31 դեկ, 1949 թ. - 802 էջ A reissue in paperback of a title first published in 1949. |
From inside the book
Արդյունքներ 89–ի 1-ից 5-ը:
Էջ vii
... tragedy and comedy , epic and romance , and many more . In the course of their two thousand years of writing they worked out innumerable themes - some as light as ' Drink to me only with thine eyes ' , others as powerful as a brave ...
... tragedy and comedy , epic and romance , and many more . In the course of their two thousand years of writing they worked out innumerable themes - some as light as ' Drink to me only with thine eyes ' , others as powerful as a brave ...
Էջ xvii
... tragedy ' Authors whom he knew directly : Ovid Vergil . Boethius Statius Claudian Cicero . Seneca ? Authors whom he knew through excerpts : • 92 92 93-103 94 · 94 95 95 96 97 98 99 99 · 100 · 100 · 100 100 Valerius Flaccus ΙΟΙ Juvenal ...
... tragedy ' Authors whom he knew directly : Ovid Vergil . Boethius Statius Claudian Cicero . Seneca ? Authors whom he knew through excerpts : • 92 92 93-103 94 · 94 95 95 96 97 98 99 99 · 100 · 100 · 100 100 Valerius Flaccus ΙΟΙ Juvenal ...
Էջ xviii
... tragedy France : the first tragedy the first comedy England : the first tragedy early attempts at comedy the first comedy Spain Other aspects of drama derived from the classics Masques • Pastoral drama · 112 · 112 · I12 · 112 · 113 113 ...
... tragedy France : the first tragedy the first comedy England : the first tragedy early attempts at comedy the first comedy Spain Other aspects of drama derived from the classics Masques • Pastoral drama · 112 · 112 · I12 · 112 · 113 113 ...
Էջ xxv
... TRAGEDY Classical and anti - classical forces acting on baroque tragedy 293-302 293-7 highly educated authors Corneille Racine Milton 293 293 294 • 294 Dryden • 295 Johnson Addison Metastasio audiences less cultured social conditions ...
... TRAGEDY Classical and anti - classical forces acting on baroque tragedy 293-302 293-7 highly educated authors Corneille Racine Milton 293 293 294 • 294 Dryden • 295 Johnson Addison Metastasio audiences less cultured social conditions ...
Էջ xxvi
... tragedy urbanization cult of grandeur connexion of baroque tragedy and opera The failure of baroque tragedy limitation of its audience narrow range of subjects classical learning limitation of its resources avoidance of ' low ' words ...
... tragedy urbanization cult of grandeur connexion of baroque tragedy and opera The failure of baroque tragedy limitation of its audience narrow range of subjects classical learning limitation of its resources avoidance of ' low ' words ...
Բովանդակություն
ITALY | 5 |
THE MIDDLE AGES II14 | 11 |
PASTORAL | 12 |
FRENCH LITERA | 19 |
style and mythology | 20 |
ENGLISH LITERATURE 2247 | 22 |
Marius the Epicurean | 23 |
France the centre of medieval literature | 28 |
Jeffers and Anouilh | 527 |
changes in the plots | 534 |
GrecoRoman paganism | 547 |
SHAKESPEARES CLASSICS | 550 |
illustrative examples | 563 |
The richness of Renaissance epic | 572 |
The Renaissance Drama | 598 |
116 | 611 |
The Romance of Aeneas | 38 |
Filostrato | 55 |
Ovid and romantic love | 57 |
Boccaccios scholarship and discovery of lost classics | 71 |
Eclogues | 86 |
93103 | 94 |
Valerius Flaccus | 101 |
oratory | 105 |
GERMANY | 113 |
smaller works | 123 |
EPIC | 144 |
Adaptations of classical episodes | 153 |
Latinized and hellenized words and phrases | 160 |
Sannazaros Arcadia | 169 |
pastoral opera | 175 |
His book a childish series of giantadventures containing | 182 |
The revolutionary poets of Italy were pessimists | 198 |
Anacreon and his imitators | 229 |
Jonson | 238 |
Spain | 244 |
Lyrical poetry in the revolutionary | 250 |
History of the War 1688 | 280 |
France | 287 |
SATIRE | 299 |
The Romance of the Rose | 305 |
Brants The Ship of Fools | 312 |
BAROQUE PROSE 32254 | 322 |
more Roman than Greek | 352 |
Lessing | 364 |
the group | 372 |
His love for Greek | 379 |
Faust II | 386 |
Foscolo | 395 |
French literature of the revolution | 401 |
Leopardi | 429 |
its ideals | 440 |
the chief arguments against Christianity | 451 |
Christianity is timid and feeble | 459 |
A CENTURY OF SCHOLARSHIP | 466 |
why did he never finish his History of Rome? | 477 |
Arnold and Newman on translating Homer | 483 |
THE SYMBOLIST POETS AND JAMES | 501 |
How his energy dominated his conflicts | 619 |
Victor Hugo | 622 |
The chief arguments used by the moderns | 640 |
2503 | 645 |
Baroque Tragedy | 648 |
818 | 649 |
251 | 654 |
84 | 660 |
Hugo | 661 |
34454 | 670 |
Shelley | 672 |
A Century of Scholarship | 690 |
CONCLUSION | 693 |
The revolutionary era and the Renaissance | 703 |
708 | |
709 | |
710 | |
712 | |
713 | |
714 | |
717 | |
719 | |
721 | |
723 | |
725 | |
726 | |
727 | |
729 | |
733 | |
734 | |
737 | |
738 | |
739 | |
740 | |
745 | |
750 | |
751 | |
752 | |
753 | |
757 | |
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Common terms and phrases
admired Aeneid ancient artistic authors baroque age beauty became Beowulf Boethius Boileau Cædmon called century characters Chaucer chief Christian church Cicero civilization classical literature Comedy contemporary culture Dante Dante's Dark Ages drama emotion English epic essay Europe famous France French German Gibbon Goethe greatest Greco-Roman Greece Greece and Rome Greek and Latin Greek and Roman hero heroic Homer Horace ideals Iliad imagination imitation important inspired Italian Italy Jean de Meun knew language legend less literary lived lyric medieval metre Middle Ages Milton modelled modern moral myth nature odes Odyssey original Ovid pagan pastoral pattern Petrarch philosophical Pindar Plato Plautus plays Plutarch poem poetic poetry poets produced prose Renaissance revolutionary Roman empire Rome Ronsard satire satirists says scholars Seneca Shakespeare sometimes songs spirit stanza story style symbol Telemachus thought tion tradition tragedy translation Trojan Vergil verse words writing written wrote
Սիրված հատվածներ
Էջ iv - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.