André de Thoulongeon, ambassador of Philip the Good 53 Anne (Jean), a Flemish painter in Portugal
His birth, 195; is taught by his father-goes to Rome, 196; proceeds to Palermo and Messinapaints pictures there-proceeds to Naples, 197; visits Flanders, 202-204; returns to Messina, and thence to Venice-his manner, 204, 213, 214; his first picture extant-his labours at Venice, 205; his influence on the painters there, 206, 207; he is said to have taught Domenico Veniziano, 208; returns to Messina, where he has pupils-returns to Venice-his labours there, 209; his visit to Milanto Treviso, 210; his return to Venice-his death-his celebrity, 211; anecdote of, 212; Grimani Breviary 364
At Messina-Virgin and Child,
At Antwerp-Crucifixion, 215
217; Portrait. At Glasgow-Portrait At Milan-Portrait
At Florence-Portrait
At Venice-Portrait, The Addolorata, The Virgin, Christ at the Column 219, 220 At Vienna-Pietà
At Genoa-The Saviour 221 221 At Treviso-Two Soldiers At London-St. Jerome, ascribed to Van Eyck 221-225 Pictures lost;
At Palermo-Laughing Heads
At Messina-Ecce Homo, Virgin 225 and Child, Madonna At Venice-Madonna of San Cassiano, 225; St. Christopher, 225; Portrait, Madonna, The Dead Saviour and the three Marys, the Virgin 226 At Treviso- Madonna, A Dominican and Franciscan 225 Antonellus de Saliba Messinensis, a follower of Antonello da Messina 210 Antonio (Antonio d'), grandfather of Antonello da Messina, a painter, 195; pictures of 195 Antonio (Jacobello d'), uncle of Antonello da Messina, his pic195
At Berlin-Portrait 215 St. Sebastian-Virgin and Child, 220
J. Van Eyck visits there. Painters of
Borgognone (Ambrogio), influence of Flemish art on
227 Bosch (J.) 120, 329 Boulogne (Hue de), a painter, Go- vernor of Hesdin, 25, 228, 230, 231 Boulogne (Jehan de), painter of Philip the Good 231 Bourbon (Cardinal de), his por- trait. 105 Bovelandt (Peerken), a pupil of Goswyn Van der Weyden 170 Brea (L.), painter at Taggia 147 Brentano (Sch.), picture by Stuer- bout belonging to 300 Broederlain, or Broedlain ("paintre de MS."), 11; painter to Louis de Maele, 14, 15; his works, 14-19, 24, 31 BRUGES 18, 23 Said to be Memling's birth- place, 239; its wealth, 48- 50, 54; Stuerbout's visit there, 289; its early history. . 302 Townhall:
Early paintings in the Stoffeerne Chapel
Painters of, 232; Van der Weyden's residence there, 159-162; pictures (Museum) falsely attributed to J. Van Eyck, 105; of the school of Louvain, 299; by an imitator of Memling, 280; lost pictures by Van der Weyden, 193; pic- tures assigned to Goswyn Van der Weyden, 170, 171, 193, 194 Bultynck (Pierre), Memling paints his portrait, and that of his wife 248 Burleigh House, Madonna, by J. Van Eyck. 338, 341, 345 Burluuts (John)
(Isabella), portrait of 77 Busschere presents a picture, as- signed to Van Eyck, to the Bruges Academy
Van Eyck (J.) 86, 87, 89, 103
Van der Weyden (R.). 192 Imitator of Memling
Memling (H.) 254-256, 258-
Bogaert Dumortier :
Van Eyck (J.)
Christoforo d'Almania, a painter of banners.
Christopher of Utrecht, a Flemish painter in Portugal Cliffords (The), in altar-piece at Chiswick
Cloet (Jehan), painter
(Jehanet or Jannette) 334 Colantonio del Fiore, picture at the Borbonico, Naples, assigned to, 80; teaches Antonello, 197, 199, 201
Dresden, picture at, by J. Van Eyck Dreyselere (P.), pupil of Goswyn Van der Weyden Dumortier (Mr.), his picture by J. Van Eyck. Dunes (Convent of the); did Memling paint an altar-piece there? 250 Dürer (A.), his praise of Gerard of St. John, 255; visits Stephen's picture at Cologne, 314; pictures of Van Eyck under his name, 100; picture at Madrid, falsely attributed to him, 186; pictures at Madrid under his name, by an imitator of Hans Memling, 284 Dyric, painter of St. Omer. 268
His family, 27; his birth, 28; his parents, 29; his coming to Ghent, 29; his patrons, 30; his character - his pupils, 31; he forms Van der Goes, 129; be- comes member of the guild of St. Luke at Ghent-is commissioned to paint the altar-piece at Ghent, 32; member of guild of our Lady, 33; commences the altar- piece of St. Bavon, 33, 34; his death-burial, 34, 35; his share in the invention of oil-painting, 44; his pictures-his style, 72, 73; original design of Adam and Eve at Paris, 79; St. Jerome at 80 the Borbonico at Naples. Lost picture:
St. Mary, St. Bernard, and an Angel 81 Pictures falsely attributed to him: At Antwerp-Virgin and Donor,
At Vienna, Belvedere-St. Ca- therine
82 At the Lichtenstein Gallery- Virgin, Child, and Donor 82 At Dijon, Museum-Portrait of Rollin 82 At Wallerstein Gallery, Ken- sington-Ecce Homo 82 Picture at Nembs, Holstein 82 EYCK (JOES VAN) :—
Member of the guild of St. Luke at Ghent, 28; his wife,
EYCK (JOHN VAN):-
His education by Hubert, 29; his patrons, 30; date of his birth, 36; portraits of Jacqueline of Holland and John Sans Peur, 39; discovery and improvement of oil-painting, 40 -43; his claim to them, 44, 45; his visit to Antwerp, 45; his admirers, 46, 47; his inventions in glass- painting, 48; his appointment to the place of varlet to Philip the Good, 50; his missions, 52 -56; visits of Philip the Good, 57; his residence in Bruges, 59;
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