André de Thoulongeon, ambassador of Philip the Good 53 Anne (Jean), a Flemish painter in Portugal

ANTONELLO DA MESSINA:—

330

His birth, 195; is taught by his father-goes to Rome, 196; proceeds to Palermo and Messinapaints pictures there-proceeds to Naples, 197; visits Flanders, 202-204; returns to Messina, and thence to Venice-his manner, 204, 213, 214; his first picture extant-his labours at Venice, 205; his influence on the painters there, 206, 207; he is said to have taught Domenico Veniziano, 208; returns to Messina, where he has pupils-returns to Venice-his labours there, 209; his visit to Milanto Treviso, 210; his return to Venice-his death-his celebrity, 211; anecdote of, 212; Grimani Breviary 364

His pictures:

At Messina-Virgin and Child,

At Antwerp-Crucifixion, 215

217; Portrait. At Glasgow-Portrait At Milan-Portrait

At Florence-Portrait

356

217

218

218

At Venice-Portrait, The Addolorata, The Virgin, Christ at the Column 219, 220 At Vienna-Pietà

219

At Genoa-The Saviour 221 221 At Treviso-Two Soldiers At London-St. Jerome, ascribed to Van Eyck 221-225 Pictures lost;

At Palermo-Laughing Heads

225

At Messina-Ecce Homo, Virgin 225 and Child, Madonna At Venice-Madonna of San Cassiano, 225; St. Christopher, 225; Portrait, Madonna, The Dead Saviour and the three Marys, the Virgin 226 At Treviso- Madonna, A Dominican and Franciscan 225 Antonellus de Saliba Messinensis, a follower of Antonello da Messina 210 Antonio (Antonio d'), grandfather of Antonello da Messina, a painter, 195; pictures of 195 Antonio (Jacobello d'), uncle of Antonello da Messina, his pic195

tures

215

At Berlin-Portrait 215 St. Sebastian-Virgin and Child, 220

ANTWERP :

J. Van Eyck visits there. Painters of

Borgognone (Ambrogio), influence
of Flemish art on

.

227
Bosch (J.)
120, 329
Boulogne (Hue de), a painter, Go-
vernor of Hesdin, 25, 228, 230,
231
Boulogne (Jehan de), painter of
Philip the Good
231
Bourbon (Cardinal de), his por-
trait.
105
Bovelandt (Peerken), a pupil of
Goswyn Van der Weyden 170
Brea (L.), painter at Taggia 147
Brentano (Sch.), picture by Stuer-
bout belonging to
300
Broederlain, or Broedlain ("paintre
de MS."), 11; painter to Louis
de Maele, 14, 15; his works,
14-19, 24, 31
BRUGES
18, 23
Said to be Memling's birth-
place, 239; its wealth, 48-
50, 54; Stuerbout's visit there,
289; its early history. . 302
Townhall:

Early paintings in the Stoffeerne
Chapel

St. Sauveur :

5

BRUSSELS:-

Painters of, 232; Van der
Weyden's residence there,
159-162; pictures (Museum)
falsely attributed to J. Van
Eyck, 105; of the school of
Louvain, 299; by an imitator
of Memling, 280; lost pictures
by Van der Weyden, 193; pic-
tures assigned to Goswyn Van
der Weyden, 170, 171, 193, 194
Bultynck (Pierre), Memling paints
his portrait, and that of his
wife
248
Burleigh House, Madonna, by J.
Van Eyck.
338, 341, 345
Burluuts (John)

(Jerome)

31

31

(Isabella), portrait of 77
Busschere presents a picture, as-
signed to Van Eyck, to the
Bruges Academy

C.

103

18

at

Van Eyck (J.) 86, 87, 89, 103

Van der Weyden (R.). 192
Imitator of Memling

Hospital:

274

Memling (H.) 254-256, 258-

Bogaert Dumortier :

Van Eyck (J.)

263, 270

103

Christoforo d'Almania, a painter
of banners.

330

Christopher of Utrecht, a Flemish
painter in Portugal
Cliffords (The), in altar-piece at
Chiswick

Cloet (Jehan), painter

250, 257

334

(Jehanet or Jannette) 334
Colantonio del Fiore, picture at
the Borbonico, Naples, assigned
to, 80; teaches Antonello, 197,
199, 201

R 3

Douai, painters of .

232

105

170

103

Dresden, picture at, by J. Van
Eyck
Dreyselere (P.), pupil of Goswyn
Van der Weyden
Dumortier (Mr.), his picture by J.
Van Eyck.
Dunes (Convent of the); did
Memling paint an altar-piece
there?
250
Dürer (A.), his praise of Gerard
of St. John, 255; visits Stephen's
picture at Cologne, 314; pictures
of Van Eyck under his name,
100; picture at Madrid, falsely
attributed to him, 186; pictures
at Madrid under his name, by
an imitator of Hans Memling,
284
Dyric, painter of St. Omer. 268

EYCK (HUBERT VAN):-

-

His family, 27; his birth, 28;
his parents, 29; his coming to
Ghent, 29; his patrons, 30; his
character - his pupils, 31; he
forms Van der Goes, 129; be-
comes member of the guild of St.
Luke at Ghent-is commissioned
to paint the altar-piece at Ghent,
32; member of guild of our
Lady, 33; commences the altar-
piece of St. Bavon, 33, 34; his
death-burial, 34, 35; his share
in the invention of oil-painting,
44; his pictures-his style, 72,
73; original design of Adam and
Eve at Paris, 79; St. Jerome at
80
the Borbonico at Naples.
Lost picture:

St. Mary, St. Bernard, and an
Angel
81
Pictures falsely attributed to him:
At Antwerp-Virgin and Donor,

81

At Vienna, Belvedere-St. Ca-
therine

82
At the Lichtenstein Gallery-
Virgin, Child, and Donor 82
At Dijon, Museum-Portrait of
Rollin
82
At Wallerstein Gallery, Ken-
sington-Ecce Homo 82
Picture at Nembs, Holstein 82
EYCK (JOES VAN) :—

Member of the guild of St.
Luke at Ghent, 28; his wife,

EYCK (JOHN VAN):-

-

29

His education by Hubert, 29;
his patrons, 30; date of his birth,
36; portraits of Jacqueline of
Holland and John Sans Peur,
39; discovery and improvement
of oil-painting, 40 -43; his
claim to them, 44, 45; his visit
to Antwerp, 45; his admirers,
46, 47; his inventions in glass-
painting, 48; his appointment
to the place of varlet to Philip
the Good, 50; his missions, 52
-56; visits of Philip the Good,
57; his residence in Bruges, 59;