The Early Flemish Painters: Notices of Their Lives and WorksJohn Murray, 1857 - 383 էջ |
From inside the book
Արդյունքներ 100–ի 1-ից 5-ը:
Էջ 4
... colour . Progress was less rapid amongst them , because they lacked elements which were developed with far greater force by competition and emulation . The arts in Belgium were , perhaps , forced onwards in a peculiar path by the early ...
... colour . Progress was less rapid amongst them , because they lacked elements which were developed with far greater force by competition and emulation . The arts in Belgium were , perhaps , forced onwards in a peculiar path by the early ...
Էջ 5
... colour used was mixed in oil , as many documents still prove . For in- stance , the Tomb of John III . , Duke of ... colours for the purposes we have described , CHAP . I. ] 5 EARLY EFFORTS .
... colour used was mixed in oil , as many documents still prove . For in- stance , the Tomb of John III . , Duke of ... colours for the purposes we have described , CHAP . I. ] 5 EARLY EFFORTS .
Էջ 6
... colours . ' CXXV . dach wercken up syn selve cost ... CII . pont . - De La- borde , ut sup . , vol . i . Introd . note to page lxiv . See also , on the use of oil in colours , a Letter from Baron Vernazza to the Giornale di Pisa of 1794 ...
... colours . ' CXXV . dach wercken up syn selve cost ... CII . pont . - De La- borde , ut sup . , vol . i . Introd . note to page lxiv . See also , on the use of oil in colours , a Letter from Baron Vernazza to the Giornale di Pisa of 1794 ...
Էջ 17
... colour , and lack of chiaro- ' scuro , all special characteristics of the old Westphalian school . The heads are flat and unrelieved , and the features are repulsive ; the general aspect of the composition is marred by the ugliness and ...
... colour , and lack of chiaro- ' scuro , all special characteristics of the old Westphalian school . The heads are flat and unrelieved , and the features are repulsive ; the general aspect of the composition is marred by the ugliness and ...
Էջ 22
... colour simply with a coat of varnish- -una mano di colla ; and miniatures thus treated remained for ages without ... colours more tenacious and more lasting than that of the men of central Italy . A careful examination of the works of ...
... colour simply with a coat of varnish- -una mano di colla ; and miniatures thus treated remained for ages without ... colours more tenacious and more lasting than that of the men of central Italy . A careful examination of the works of ...
Այլ խմբագրություններ - View all
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,G.B. Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1857 |
The Early Flemish Painters: Notices of Their Lives and Works Joseph Archer Crowe,Giovanni Battista Cavalcaselle Ամբողջությամբ դիտվող - 1872 |
Common terms and phrases
Adoration adorned Agnus Agnus Dei altar-piece amongst angels Annunciation Antonello Antonello da Messina Antwerp artists attributed Bavon Belgium Belvedere Berlin Cat Broederlain Bruges Brussels Burgundy Catalogue chapel chiaro-'scuro Christ church Cologne colour composition Cristus depicted Dierick Dijon draperies Ducs Duke executed exhibited Eyck's Fcap fifteenth century figures finished Flanders Flemings Gallery Ghent hand head Hubert Van Eyck imitators Infant Italian Italy Jehan John the Baptist John Van Eyck Justus kneeling Laborde laboured landscape latter livres Louvain Madonna Magi manner Margaret of Austria master Memling Memling's Messina Munich Museum noble noticed numerous painted painter panel Passavant Philip picture pointre portion portrait possession Post 8vo prince productions pupil remarkable representing Roger saints Saviour scene Second Edition sentiment Stuerbout style tempera tone trace truth tryptic Vaernewyk Van der Weyden varlet de chambre Vasari Venice vigour Virgin and Child Weyden whilst wings Wood Woodcuts