Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 10–ի 1-ից 3-ը:
Էջ 38
... Caesar's death . Polonius had actually acted the part of Caesar at his university . One of the most remarkable features of Julius Caesar is that Caesar himself very seldom refers to his own past . He relies upon his authority —but he ...
... Caesar's death . Polonius had actually acted the part of Caesar at his university . One of the most remarkable features of Julius Caesar is that Caesar himself very seldom refers to his own past . He relies upon his authority —but he ...
Էջ 39
... Caesar bleeds , at least , like other men . Their grounds for making Caesar bleed are the ironic ones that Caesar , once he has become king , may change into a tyrant . This irony is one method of dealing with the extremely complex ...
... Caesar bleeds , at least , like other men . Their grounds for making Caesar bleed are the ironic ones that Caesar , once he has become king , may change into a tyrant . This irony is one method of dealing with the extremely complex ...
Էջ 40
... Caesar . It is this spirit , in part created by Antony , which then controls the future of the play . The logic of the play has required Shakespeare to present Caesar first as an unchanging figure without a past ; then to use all the ...
... Caesar . It is this spirit , in part created by Antony , which then controls the future of the play . The logic of the play has required Shakespeare to present Caesar first as an unchanging figure without a past ; then to use all the ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words