Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 61–ի 1-ից 3-ը:
Էջ 11
... Hamlet and Claudius , however , is only an introduction to the play's major conflict . This takes place in Hamlet's mind . The progress of this mental battle can be traced clearly in the seven soliloquies . Their function in the pattern ...
... Hamlet and Claudius , however , is only an introduction to the play's major conflict . This takes place in Hamlet's mind . The progress of this mental battle can be traced clearly in the seven soliloquies . Their function in the pattern ...
Էջ 12
... Hamlet's , it is because Hamlet's motives , which he finds inexplicable , have been subjected to a conscious and ... mind . This part of Hamlet's mind , as will be demonstrated , makes a vital contribution to the argument of Hamlet ...
... Hamlet's , it is because Hamlet's motives , which he finds inexplicable , have been subjected to a conscious and ... mind . This part of Hamlet's mind , as will be demonstrated , makes a vital contribution to the argument of Hamlet ...
Էջ 14
... mind of Hamlet . In the soliloquies Hamlet blames himself because thought hinders action . Hamlet's thoughts are , however , an examination by the dramatist of the avenger's role that Hamlet desires to play . The com- peting languages ...
... mind of Hamlet . In the soliloquies Hamlet blames himself because thought hinders action . Hamlet's thoughts are , however , an examination by the dramatist of the avenger's role that Hamlet desires to play . The com- peting languages ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words