Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 74–ի 1-ից 3-ը:
Էջ 14
... action is one of the methods by which Shakespeare creates the unconscious mind of Hamlet . In the soliloquies Hamlet blames himself because thought hinders action . Hamlet's thoughts are , however , an examination by the dramatist of ...
... action is one of the methods by which Shakespeare creates the unconscious mind of Hamlet . In the soliloquies Hamlet blames himself because thought hinders action . Hamlet's thoughts are , however , an examination by the dramatist of ...
Էջ 26
... action of the play can be seen in terms of a long duel of wits which eventually becomes a physical duel with weapons . The inner - play is obviously a crucial moment in the conduct of this duel . The play has a special moral reference ...
... action of the play can be seen in terms of a long duel of wits which eventually becomes a physical duel with weapons . The inner - play is obviously a crucial moment in the conduct of this duel . The play has a special moral reference ...
Էջ 102
... action has the capacity for allowing the audience to look ' before and after ' ( 4 iv 37 : 2743 Q 31 ) . It sums up the action that is past and provides a forecast or commentary on the action that is yet to come . It is the great point ...
... action has the capacity for allowing the audience to look ' before and after ' ( 4 iv 37 : 2743 Q 31 ) . It sums up the action that is past and provides a forecast or commentary on the action that is yet to come . It is the great point ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words