Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 11
... avenger of blood . It appears to be the duty of exacting a complete and damnable revenge which prevents him from stabbing the King . Yet the seventh soliloquy ( 4 iv 32 : 2743 Q 26 ) returns to a consideration of the earlier problems of ...
... avenger of blood . It appears to be the duty of exacting a complete and damnable revenge which prevents him from stabbing the King . Yet the seventh soliloquy ( 4 iv 32 : 2743 Q 26 ) returns to a consideration of the earlier problems of ...
Էջ 23
... avenger appear to be played by the same actor . The two functions seem to coexist in one part . The inner - play thus gives the questions of the soliloquies a new direction . Instead of the question that Hamlet asked himself , why does ...
... avenger appear to be played by the same actor . The two functions seem to coexist in one part . The inner - play thus gives the questions of the soliloquies a new direction . Instead of the question that Hamlet asked himself , why does ...
Էջ 101
... avenger of blood , is ' o'erdone ' and unnatural . It is this capacity for conveying information to the audience in ... avengers can approach their victims with swords in their hands . Secondly , it permits the characters to ...
... avenger of blood , is ' o'erdone ' and unnatural . It is this capacity for conveying information to the audience in ... avengers can approach their victims with swords in their hands . Secondly , it permits the characters to ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words