Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 20–ի 1-ից 3-ը:
Էջ 11
... aware that his conduct is neither right nor honourable , he intends to survive . Hamlet , as subject as they are to the instinctive pull of human passion , is dramatized as a man who is not only aware of problems which have escaped the ...
... aware that his conduct is neither right nor honourable , he intends to survive . Hamlet , as subject as they are to the instinctive pull of human passion , is dramatized as a man who is not only aware of problems which have escaped the ...
Էջ 61
... aware - as Hamlet and Lear , say , are finely aware - makes absolutely the intensity of their adventure , gives the maximum of sense to what befalls them.1 It is , however , a very broad critical category that includes Hamlet and Lear ...
... aware - as Hamlet and Lear , say , are finely aware - makes absolutely the intensity of their adventure , gives the maximum of sense to what befalls them.1 It is , however , a very broad critical category that includes Hamlet and Lear ...
Էջ 142
... aware that women make them ' monsters ' . ' Monsters ' in this sense probably means men with horns or cuckolds . Since all marriage vows are contracted between a fool and a whore Hamlet now embarks upon his bitter and extraordinary ...
... aware that women make them ' monsters ' . ' Monsters ' in this sense probably means men with horns or cuckolds . Since all marriage vows are contracted between a fool and a whore Hamlet now embarks upon his bitter and extraordinary ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words