Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 78–ի 1-ից 3-ը:
Էջ 11
... characters . Hamlet's mind is at war with itself because he is aware that more than one single set of answers exists to the problems which face him . These problems , the necessary questions of the play , do not admit of any ' final ...
... characters . Hamlet's mind is at war with itself because he is aware that more than one single set of answers exists to the problems which face him . These problems , the necessary questions of the play , do not admit of any ' final ...
Էջ 40
... Character of Sir John Falstaff ( 1777 ) there is a celebrated , or notorious , footnote which ends with this observation : it If the characters of Shakespeare are thus whole , and as it were original , while those of almost all other ...
... Character of Sir John Falstaff ( 1777 ) there is a celebrated , or notorious , footnote which ends with this observation : it If the characters of Shakespeare are thus whole , and as it were original , while those of almost all other ...
Էջ 42
... characters which have not been dramatized by the author and which consequently have no relevance to the action of the play . A similar separation , however , is involved if the critic fails to take account of the dramatist's involvement ...
... characters which have not been dramatized by the author and which consequently have no relevance to the action of the play . A similar separation , however , is involved if the critic fails to take account of the dramatist's involvement ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words