Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 29–ի 1-ից 3-ը:
Էջ 11
... Critical attention is usually concentrated upon Hamlet's divided mind and the suggestion is sometimes made that it represents some deep division or sense of personal inadequacy within the dramatist . This fails to observe that the ...
... Critical attention is usually concentrated upon Hamlet's divided mind and the suggestion is sometimes made that it represents some deep division or sense of personal inadequacy within the dramatist . This fails to observe that the ...
Էջ 58
... critical confusion . In dealing with the soliloquies it is even more important than usual to maintain the basic critical distinction between the problems presented in 58 THE CENTRE OF CONSCIOUSNESS.
... critical confusion . In dealing with the soliloquies it is even more important than usual to maintain the basic critical distinction between the problems presented in 58 THE CENTRE OF CONSCIOUSNESS.
Էջ 61
... critical category that includes Hamlet and Lear as examples of characters who are ' finely aware ' . They could be selected as examples of entirely opposed kinds of ' dramatic aware- ness ' . James now elaborates , and narrows , this ...
... critical category that includes Hamlet and Lear as examples of characters who are ' finely aware ' . They could be selected as examples of entirely opposed kinds of ' dramatic aware- ness ' . James now elaborates , and narrows , this ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words