Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 22–ի 1-ից 3-ը:
Էջ 11
... emotions and divided against himself , asks the tormented and tormenting questions which create the special quality of the play . It is necessary , however , for the critic and the director to observe that the difficulties and doubts ...
... emotions and divided against himself , asks the tormented and tormenting questions which create the special quality of the play . It is necessary , however , for the critic and the director to observe that the difficulties and doubts ...
Էջ 62
... emotion and can therefore feel and understand more than the other . The recorder is distinguished by his capacity for response as much as by his powers of analysis . Like some of the Renaissance philosophers , James believes that the ...
... emotion and can therefore feel and understand more than the other . The recorder is distinguished by his capacity for response as much as by his powers of analysis . Like some of the Renaissance philosophers , James believes that the ...
Էջ 86
... emotions which are , according to the usual dramatic conventions , only uttered by villains . In this play , however , the opposition between vengeance and con- science cannot be arranged according to the conventions . Hamlet feels the ...
... emotions which are , according to the usual dramatic conventions , only uttered by villains . In this play , however , the opposition between vengeance and con- science cannot be arranged according to the conventions . Hamlet feels the ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words