Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
Էջ 43
... force can be changed by force . Justice , as so often in international affairs , has become the interest of the stronger . Denmark appears to have no choice but to defend itself against this threat . Horatio's comparison between the ...
... force can be changed by force . Justice , as so often in international affairs , has become the interest of the stronger . Denmark appears to have no choice but to defend itself against this threat . Horatio's comparison between the ...
Էջ 79
... force in the mind of Hamlet . To make Hamlet's conscience a conscious force would be to weaken its dramatic effect . This may be demonstrated by a consideration of the way in which the aggressive nature of Polonius comes through his ...
... force in the mind of Hamlet . To make Hamlet's conscience a conscious force would be to weaken its dramatic effect . This may be demonstrated by a consideration of the way in which the aggressive nature of Polonius comes through his ...
Էջ 187
... force and prudence . The King's stratagem of the poisoned duel , however , is a misuse of force and extremely imprudent . He fails because he does not possess the kingly virtues symbolized by the fire of the guns . The success of the ...
... force and prudence . The King's stratagem of the poisoned duel , however , is a misuse of force and extremely imprudent . He fails because he does not possess the kingly virtues symbolized by the fire of the guns . The success of the ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words