Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 16
... fortunes of men.1 Shakespeare was familiar with this common association of Time , Fortune , and the Seven Ages of Man . In the same scene in which he delivers his speech upon the theatre of the world Jaques describes his meeting with ...
... fortunes of men.1 Shakespeare was familiar with this common association of Time , Fortune , and the Seven Ages of Man . In the same scene in which he delivers his speech upon the theatre of the world Jaques describes his meeting with ...
Էջ 75
... Fortune . His nature cannot be changed either by good fortune or by bad . This means , and it is a very important point in the context of the inner - play , that his love or friendship cannot be changed or bought by a change in fortune ...
... Fortune . His nature cannot be changed either by good fortune or by bad . This means , and it is a very important point in the context of the inner - play , that his love or friendship cannot be changed or bought by a change in fortune ...
Էջ 110
... Fortune or chance is stronger than any of them : This world is not for aye ; nor ' tis not strange That even our loves should with our fortunes change ; For ' tis a question left us yet to prove , Whether love lead fortune or else fortune ...
... Fortune or chance is stronger than any of them : This world is not for aye ; nor ' tis not strange That even our loves should with our fortunes change ; For ' tis a question left us yet to prove , Whether love lead fortune or else fortune ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words