Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 59–ի 1-ից 3-ը:
Էջ 27
... human intellect and the power of human thought . Like Oedipus , he finds that they are not strong enough to protect him from the operation of time and fortune , or the dark pull of instinctive human passions over which the intellect has ...
... human intellect and the power of human thought . Like Oedipus , he finds that they are not strong enough to protect him from the operation of time and fortune , or the dark pull of instinctive human passions over which the intellect has ...
Էջ 105
... human heads which are joined together in the same fashion . Wind argues that the three human heads represent prudence while the animal heads , representing the three parts of time , portray the virtue of good counsel . This virtue is ...
... human heads which are joined together in the same fashion . Wind argues that the three human heads represent prudence while the animal heads , representing the three parts of time , portray the virtue of good counsel . This virtue is ...
Էջ 164
... human mortality , and even the acceptance of the general considerations set out so fully in Hamlet's conversation with the Clown , cannot eliminate grief or pain . The loss of a unique and irreplaceable human being is always ...
... human mortality , and even the acceptance of the general considerations set out so fully in Hamlet's conversation with the Clown , cannot eliminate grief or pain . The loss of a unique and irreplaceable human being is always ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words