Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 142
... Marriage is for fools . The doors should be shut upon her father that ' he may play the fool nowhere but in's own house ' ( 3 i 132 : 1787 ) . Ophelia should take care to marry a fool since no married woman can escape calumny and wise ...
... Marriage is for fools . The doors should be shut upon her father that ' he may play the fool nowhere but in's own house ' ( 3 i 132 : 1787 ) . Ophelia should take care to marry a fool since no married woman can escape calumny and wise ...
Էջ 149
... marriage vows were not proof against the assault of Claudius . He won her by appearing as the ' implorator ' of the unholy suit of incest disguised as the ' sanctified and pious bonds ' ( 1 iii 130 : 596 ) of a royal marriage . As The ...
... marriage vows were not proof against the assault of Claudius . He won her by appearing as the ' implorator ' of the unholy suit of incest disguised as the ' sanctified and pious bonds ' ( 1 iii 130 : 596 ) of a royal marriage . As The ...
Էջ 150
... marriage that is past , the marriage that is present , and the possible marriage that might exist in the future are present in the actors taking the parts of Players and the Characters of their stage audience . King Hamlet and Gertrude ...
... marriage that is past , the marriage that is present , and the possible marriage that might exist in the future are present in the actors taking the parts of Players and the Characters of their stage audience . King Hamlet and Gertrude ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words