Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 24–ի 1-ից 3-ը:
Էջ 20
... mirror does not simply reflect : it reflects the truth even when that truth may be unwelcome . Mirrors may be magical . As Otto Rank writes : It is a man's reflection in a mirror ( originally water ) which provides a more life - like ...
... mirror does not simply reflect : it reflects the truth even when that truth may be unwelcome . Mirrors may be magical . As Otto Rank writes : It is a man's reflection in a mirror ( originally water ) which provides a more life - like ...
Էջ 22
... mirror image of the play has shown Claudius a true and exact reflection of his own nature . He now proceeds to prove that he is , as Hamlet says , ' a murderer and a villain ' ( 3 iv 96 : 2475 ) . The inner - play forces the audience on ...
... mirror image of the play has shown Claudius a true and exact reflection of his own nature . He now proceeds to prove that he is , as Hamlet says , ' a murderer and a villain ' ( 3 iv 96 : 2475 ) . The inner - play forces the audience on ...
Էջ 120
... mirror up to nature . Indi- viduals , or even their pictures , may serve the same purpose . Hamlet actually describes Laertes as a mirror in conversation with Osric before the ' play ' with foils ( 5 ii 112 : 3610 Q 6 ) : Hamlet Sir ...
... mirror up to nature . Indi- viduals , or even their pictures , may serve the same purpose . Hamlet actually describes Laertes as a mirror in conversation with Osric before the ' play ' with foils ( 5 ii 112 : 3610 Q 6 ) : Hamlet Sir ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words