Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 29–ի 1-ից 3-ը:
Էջ 11
... moral and critical debate about the nature and fitness of Hamlet's own response to his situation . Critics continue to debate whether Hamlet's conduct is ' normal ' , ' moral ' , ' weak ' , ' selfish ' , or ' aggressive ' because the ...
... moral and critical debate about the nature and fitness of Hamlet's own response to his situation . Critics continue to debate whether Hamlet's conduct is ' normal ' , ' moral ' , ' weak ' , ' selfish ' , or ' aggressive ' because the ...
Էջ 30
... moral and theological questions for the actors and the audience . It is also Shakespeare's solution to one of the most pressing artistic problems of the play . It is essential to make and preserve the distinction between the moral ...
... moral and theological questions for the actors and the audience . It is also Shakespeare's solution to one of the most pressing artistic problems of the play . It is essential to make and preserve the distinction between the moral ...
Էջ 80
... moral problems associated with revenge . Many Elizabethan dramatists turn their avengers into villains in just this fashion . They follow this course because it is inherent in the convention and the social situation which made that ...
... moral problems associated with revenge . Many Elizabethan dramatists turn their avengers into villains in just this fashion . They follow this course because it is inherent in the convention and the social situation which made that ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words