Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 70–ի 1-ից 3-ը:
Էջ 99
... passion of revenge overtakes the passion of lust . Hamlet seizes upon that part of the speech that most exactly expresses his own position . In order to curb the uncontrolled lust of the King , Hamlet desires to deliver himself up to ...
... passion of revenge overtakes the passion of lust . Hamlet seizes upon that part of the speech that most exactly expresses his own position . In order to curb the uncontrolled lust of the King , Hamlet desires to deliver himself up to ...
Էջ 124
... passions which destroy the King and Laertes . It is easy , therefore , to assume that all passion is condemned by the play and that its moral is as commonplace as the one which Arthur Brooke prefaced to his version of The Tragical ...
... passions which destroy the King and Laertes . It is easy , therefore , to assume that all passion is condemned by the play and that its moral is as commonplace as the one which Arthur Brooke prefaced to his version of The Tragical ...
Էջ 131
... passionate life . The language of flowers is , in a very important sense , the language of passion in the play . The flowers may be rosemary or rue , the herbs of grace , which Ophelia carries in her scenes of madness . They may be the ...
... passionate life . The language of flowers is , in a very important sense , the language of passion in the play . The flowers may be rosemary or rue , the herbs of grace , which Ophelia carries in her scenes of madness . They may be the ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words