Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 3-ը:
Էջ 38
... past marks an important difference between tragedy and comedy . The Tempest is designed to allay anxieties about the past and give the audience a glimpse of a hopeful future . Hamlet raises anxieties about the past and buries all hope ...
... past marks an important difference between tragedy and comedy . The Tempest is designed to allay anxieties about the past and give the audience a glimpse of a hopeful future . Hamlet raises anxieties about the past and buries all hope ...
Էջ 39
... past actions in order to show how he became the public figure which he presents to Rome . There is consequently no danger that Caesar's past achievements may dwarf the act of assassination . It also makes the grievances of the ...
... past actions in order to show how he became the public figure which he presents to Rome . There is consequently no danger that Caesar's past achievements may dwarf the act of assassination . It also makes the grievances of the ...
Էջ 44
... past is a con- tinuous process which lasts throughout the play . Past events constantly appear to repeat themselves in the present actions of the characters . If the history of King Hamlet begins with the account of the duel fought with ...
... past is a con- tinuous process which lasts throughout the play . Past events constantly appear to repeat themselves in the present actions of the characters . If the history of King Hamlet begins with the account of the duel fought with ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words