Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 46–ի 1-ից 3-ը:
Էջ 11
... possible self - destruction are all debated passionately in Hamlet's soliloquies . Hamlet's awareness of the possible paths before him , his intense consideration of the issues and their conse- quences , is only a part of the ...
... possible self - destruction are all debated passionately in Hamlet's soliloquies . Hamlet's awareness of the possible paths before him , his intense consideration of the issues and their conse- quences , is only a part of the ...
Էջ 11
... possible to regard Hamlet as the agent of this divine retribu- tion . It is equally possible to regard him as a man who has been be- trayed by a demon in the shape of his father into an act of damnable impiety . It is clear that this ...
... possible to regard Hamlet as the agent of this divine retribu- tion . It is equally possible to regard him as a man who has been be- trayed by a demon in the shape of his father into an act of damnable impiety . It is clear that this ...
Էջ 71
... possible to suffer or endure a sea of troubles . Waves and tempest can be survived . It is highly impractical to take up arms against it . It might be possible to reply effectively to , or even defeat , an assault with slings and arrows ...
... possible to suffer or endure a sea of troubles . Waves and tempest can be survived . It is highly impractical to take up arms against it . It might be possible to reply effectively to , or even defeat , an assault with slings and arrows ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words