Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 47–ի 1-ից 3-ը:
Էջ 104
... present afflicts us more than the past does , and both present and past together please us less than the future can ; for we always hold the future in expectation and hope , as you can see very well represented by this emblem borrowed ...
... present afflicts us more than the past does , and both present and past together please us less than the future can ; for we always hold the future in expectation and hope , as you can see very well represented by this emblem borrowed ...
Էջ 149
... present and future of his characters during the ' eternal present ' of the court performance . The inner - play is an image of passionate sexual love as well as a representation of murder . It is , therefore , important that it is as ...
... present and future of his characters during the ' eternal present ' of the court performance . The inner - play is an image of passionate sexual love as well as a representation of murder . It is , therefore , important that it is as ...
Էջ 150
... present . According to the inner - play , the world of love inevit- ably becomes the world of lust . All human passion is either a false and hypocritical show or else an appetite that degrades men below the level of beasts . As Hamlet ...
... present . According to the inner - play , the world of love inevit- ably becomes the world of lust . All human passion is either a false and hypocritical show or else an appetite that degrades men below the level of beasts . As Hamlet ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words