Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 67–ի 1-ից 3-ը:
Էջ 11
... stage fight . This stage business must be managed in such a fashion that the exchange of rapiers , and the rapid succession of deaths by poison , seem a dramatic and logical conclusion to the Ghost's original revelation of murder by ...
... stage fight . This stage business must be managed in such a fashion that the exchange of rapiers , and the rapid succession of deaths by poison , seem a dramatic and logical conclusion to the Ghost's original revelation of murder by ...
Էջ 18
... stage before us is a play of false appearances in which an actor called the player - king is playing . But there is also on the stage , Claudius , another player - king who is a spectator of this player . And there is on the stage ...
... stage before us is a play of false appearances in which an actor called the player - king is playing . But there is also on the stage , Claudius , another player - king who is a spectator of this player . And there is on the stage ...
Էջ 88
... stage performance . These images from Hamlet's conscious mind walk the stage in order to make clear to the audience the nature of Hamlet's unconscious wishes and desires . Throughout the soliloquies Hamlet has assumed that ...
... stage performance . These images from Hamlet's conscious mind walk the stage in order to make clear to the audience the nature of Hamlet's unconscious wishes and desires . Throughout the soliloquies Hamlet has assumed that ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words