Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 27–ի 1-ից 3-ը:
Էջ 13
... theatre . The end of the play does not bring its argument to an end . Hamlet is a disturbing play because it is about a man who made up his mind . The appalling nature of the decisions in this play , and their equally terrible ...
... theatre . The end of the play does not bring its argument to an end . Hamlet is a disturbing play because it is about a man who made up his mind . The appalling nature of the decisions in this play , and their equally terrible ...
Էջ 14
... theatre throughout this play , it is legitimate to say that Hamlet is an actor who has been offered a choice of roles . He is unable to determine which part he ought to play . He has been accused of self - dramatization in the ...
... theatre throughout this play , it is legitimate to say that Hamlet is an actor who has been offered a choice of roles . He is unable to determine which part he ought to play . He has been accused of self - dramatization in the ...
Էջ 15
... theatre of the world has been pointed out by Frances Yates : Heywood's defence of the theatre is important for the understanding of the real public theatres of the Elizabethan and Jacobean age . The ancient theatre , in the abstract ...
... theatre of the world has been pointed out by Frances Yates : Heywood's defence of the theatre is important for the understanding of the real public theatres of the Elizabethan and Jacobean age . The ancient theatre , in the abstract ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words