Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 18
... theatrical metaphor in Hamlet . The King agrees to the presentation of the play entitled The Murder of Gonzago before the court as the kind of ' child's play ' which may divert Hamlet from his melancholy . The actual performance ...
... theatrical metaphor in Hamlet . The King agrees to the presentation of the play entitled The Murder of Gonzago before the court as the kind of ' child's play ' which may divert Hamlet from his melancholy . The actual performance ...
Էջ 91
... theatrical method of unmasking the King . The performance provides apparent proof that Claudius is both a murderer and a villain . The incidents of the court play which con- firm the King's guilt also corroborate his own aroused ...
... theatrical method of unmasking the King . The performance provides apparent proof that Claudius is both a murderer and a villain . The incidents of the court play which con- firm the King's guilt also corroborate his own aroused ...
Էջ 92
... theatrical illusion as the performed murder . Hamlet treats the ' dream of passion ' ( 2 ii 545 : 1592 ) spoken by the First Player , or the ' false fire ' ( 3 ii 260 : 2137 ) of the court play , as illusions which should spur him on to ...
... theatrical illusion as the performed murder . Hamlet treats the ' dream of passion ' ( 2 ii 545 : 1592 ) spoken by the First Player , or the ' false fire ' ( 3 ii 260 : 2137 ) of the court play , as illusions which should spur him on to ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words