Poison, Play, and Duel: A Study in HamletUniversity of Nebraska Press, 1971 - 212 էջ |
From inside the book
Արդյունքներ 53–ի 1-ից 3-ը:
Էջ 28
... words : Taking Hamlet as the type of the passive , inactive hero , whose indecisiveness has led to so many discussions and commentaries , what he really expresses is just this characteristic word - magic of the hero . Though he does ...
... words : Taking Hamlet as the type of the passive , inactive hero , whose indecisiveness has led to so many discussions and commentaries , what he really expresses is just this characteristic word - magic of the hero . Though he does ...
Էջ 70
... words , And fall a - cursing like a very drab . In calling himself a whore for cursing , Hamlet appears to reject the weapon of words . Yet it is to words that he now turns when he proposes to put on a play before the King . The ...
... words , And fall a - cursing like a very drab . In calling himself a whore for cursing , Hamlet appears to reject the weapon of words . Yet it is to words that he now turns when he proposes to put on a play before the King . The ...
Էջ 109
... words are , as Hamlet later suggests to Rosen- crantz and Guildenstern , the beginning of a bitter cure for Denmark . Hamlet regards Claudius as the source of corruption , of the ' politic worms ' ( 4 iii 21 : 2686 ) which feed upon the ...
... words are , as Hamlet later suggests to Rosen- crantz and Guildenstern , the beginning of a bitter cure for Denmark . Hamlet regards Claudius as the source of corruption , of the ' politic worms ' ( 4 iii 21 : 2686 ) which feed upon the ...
Բովանդակություն
PREFACE | 11 |
HAMLET AND THE ART OF MEMORY | 30 |
THE CENTRE OF CONSCIOUSNESS | 58 |
Հեղինակային իրավունք | |
4 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action actor aggressive appears argued argument attempt audience avenger aware beauty become brother Bruno's Caesar characters closet scene command conscience consciousness consequences court court of Denmark crime critical death of Polonius describes dramatic dramatist duel dumb show Edgar Wind Elsinore emotions expressed fashion father figure force Fortinbras fortune Gertrude Gertrude's Ghost Giordano grave graveyard scene Hamlet and Laertes Hamlet's mind harmony Henry James honour Horatio human imagery important inner-play kill the King King Hamlet King of Denmark King's Laertes language Lucianus lust M. C. Bradbrook madness marriage meditations mirror moral mother Murder of Gonzago nature nunnery scene Ophelia passion past performance play scene play's Player King poison possible prayer scene present Prince psychological Pyrrhus Queen questions R. P. Blackmur reason remembrance Renaissance revenge role Rosencrantz and Guildenstern scene Hamlet sense sexual soliloquies soul speech stage symbol theatre theatrical understanding vengeance Voluptas words