Essays and Tales in Prose, Հատոր 1Ticknor, Reed, and Fields, 1853 |
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Արդյունքներ 25–ի 1-ից 5-ը:
Էջ 3
... give forth to the world what could then have readily been collected respecting him , requires still to be explained . He was admitted , in his own time , to be the first dramatist of his country ; and there can be no question but that ...
... give forth to the world what could then have readily been collected respecting him , requires still to be explained . He was admitted , in his own time , to be the first dramatist of his country ; and there can be no question but that ...
Էջ 37
... gives value to the natural words of Hamlet ; and the fripperies of Osrick are effective as a prologue to the tragic duel . The loose Iachimo and vulgar Cloten make us look with double respect on the chaste and lonely Imogen ; and the ...
... gives value to the natural words of Hamlet ; and the fripperies of Osrick are effective as a prologue to the tragic duel . The loose Iachimo and vulgar Cloten make us look with double respect on the chaste and lonely Imogen ; and the ...
Էջ 42
... give effect to the stage , this may challenge comparison with any other drama . All is in the high Roman fashion ' - in the most magnificent style of tragedy . Hazlitt has said finely and characteristically ( when speaking of it ) ...
... give effect to the stage , this may challenge comparison with any other drama . All is in the high Roman fashion ' - in the most magnificent style of tragedy . Hazlitt has said finely and characteristically ( when speaking of it ) ...
Էջ 51
... gives noble and imagi- native language , always appropriate and always adapted to sustain the purposes of the play . It is true that the individual character of certain historical persons , such as Richard the Second and Henry the Sixth ...
... gives noble and imagi- native language , always appropriate and always adapted to sustain the purposes of the play . It is true that the individual character of certain historical persons , such as Richard the Second and Henry the Sixth ...
Էջ 69
... give . My tongue deserts me . I know the inutility of too soon comfort- ing . I know that I should weep , were I the loser ; and I let the tears have their way . Sometimes , a word or two I can muster : a ' Sigh no more ! ' and ' Dear ...
... give . My tongue deserts me . I know the inutility of too soon comfort- ing . I know that I should weep , were I the loser ; and I let the tears have their way . Sometimes , a word or two I can muster : a ' Sigh no more ! ' and ' Dear ...
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Էջ 23 - and, when I have required Some heavenly music (which even now I do), To work mine end upon their senses that This airy charm is for, I '11 break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I '11 drown my book.
Էջ 16 - honor his memory, on this side of idolatry, as much as any : he was indeed honest, and of an open and free nature ;' and the editors of the folio edition of the plays, say that they have collected them ' to keep the memory of so worthy a friend and fellow alive, as was our Shakspere.
Էջ 15 - Englishman of war, lesser in bulk but lighter in sailing, could turn with all tides, tack about and take advantage of all winds, by the quickness of
Էջ 15 - galleon and an English man of war. Master Jonson, like the former, was built far higher in learning; solid, but slow in his performances. Shakspere, like an
Էջ 16 - retired to his native town of Stratford. He had previously purchased one of the best houses there, called ' New Place,' and in this house he lived and died. He was buried on the 25th of April, 1616, on the north side of the chancel of the great church of Stratford. A monument was shortly
Էջ 14 - The following is Fuller's account of Shakspere, in his ' WORTHIES OF ENGLAND :' 'He was an eminent instance of the truth of that rule, ' poeta non fit, sed nasdtur: one is not made but born a poet.
Էջ 17 - to his memory. The artist has represented him in a sitting posture, with a pen in his right hand, and his left resting on a scroll of paper; and on the cushion which appears spread out before him, are engraved the following lines
Էջ 53 - and are involved (parenthetically) in the dialogue, without impeding it; such as, in ' ANTONY AND CLEOPATRA,' where Antony speaks of ' Our slippery people ( Whose love is never linked to the deserver, Till his deserts
Էջ 56 - or infirmity peculiar to himself. But I should do neither. For his great merit, as it appears to me, is, that he had no peculiar or prominent merit. His mind was so well constituted, so justly and admirably balanced, that it had nothing in excess. It was the harmonious combination, the