Poetic Madness and the Romantic Imagination

appeared argued argument Arnim artist becomes blight body Byron called cause character Christ Christian claims Clare classical Coleridge Coleridge's creative critics dark death defined delusion describes divine dream effect essay evidence experience explained expression external eyes faith feel follow Friend genius gives Goethe half Holderlin human idea illusion images imagination inspiration interpret intuition John Kant knowledge language letter literature living madness means mental mind miracles mode moral narrative nature Nerval never night object observes once opening origin paradox passage passion physical play poem poet poetic poetry possible presence Princess provides Quincey rational reading reality reason recognize reference remains reveal romantic says seeks seems sense soul spirit suffering symbol Tasso things thought tion true truth turn understanding vision Werke whole writing