Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 51–ի 1-ից 3-ը:
Էջ 43
... appear ? you have still to determine this . What do you mean ? I mean to ask whether a bed really becomes different when it is seen from different points of view , obliquely or directly or from any other point of view ? Or does it ...
... appear ? you have still to determine this . What do you mean ? I mean to ask whether a bed really becomes different when it is seen from different points of view , obliquely or directly or from any other point of view ? Or does it ...
Էջ 47
... appears to be good to the ignorant multitude ? Just so . Thus far then we are pretty well agreed that the imitator has ... appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex ...
... appears to be good to the ignorant multitude ? Just so . Thus far then we are pretty well agreed that the imitator has ... appear straight when looked at out of the water , and crooked when in the water ; and the concave becomes convex ...
Էջ 98
... appear in a lawful successor of the throne . If it be inquired what Fletcher should have done on this occasion ; ought he not to have represented Valentinian as he was ? Bossu shall answer this question for me , by an instance of the ...
... appear in a lawful successor of the throne . If it be inquired what Fletcher should have done on this occasion ; ought he not to have represented Valentinian as he was ? Bossu shall answer this question for me , by an instance of the ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing