Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 45–ի 1-ից 3-ը:
Էջ 36
... lines which you were reciting from Homer , you or the charioteer ? Ion . The charioteer . Soc . Why , yes , because you are a rhapsode and not a charioteer . Ion . Yes . Soc . And the art of the rhapsode is different from that of the ...
... lines which you were reciting from Homer , you or the charioteer ? Ion . The charioteer . Soc . Why , yes , because you are a rhapsode and not a charioteer . Ion . Yes . Soc . And the art of the rhapsode is different from that of the ...
Էջ 127
... lines are not easily understood , they may be read again : On a round ball A workman , that hath copies by , can lay An Europe , Afric , and an Asia , And quickly make that , which was nothing , All . So doth each tear , Which thee doth ...
... lines are not easily understood , they may be read again : On a round ball A workman , that hath copies by , can lay An Europe , Afric , and an Asia , And quickly make that , which was nothing , All . So doth each tear , Which thee doth ...
Էջ 238
... lines as- And courage never to submit or yield And what is else not to be overcome . . . [ Paradise Lost , I , 108-109 . ] and finish with the exquisite close to the loss of Proserpine , the loss ... which cost Ceres all that pain To ...
... lines as- And courage never to submit or yield And what is else not to be overcome . . . [ Paradise Lost , I , 108-109 . ] and finish with the exquisite close to the loss of Proserpine , the loss ... which cost Ceres all that pain To ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing