Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 88–ի 1-ից 3-ը:
Էջ v
... literary works , or kinds of literary works , are best suited to " introducing " the student to literature , by which we mean capturing his interest and reassuring him about the relevance of literature to his own best concerns . But ...
... literary works , or kinds of literary works , are best suited to " introducing " the student to literature , by which we mean capturing his interest and reassuring him about the relevance of literature to his own best concerns . But ...
Էջ vi
... literary work be understood to have an autonomous existence and be dealt with first in terms proposed by this understanding . This principle of the critical movement has won wide acceptance . No doubt the old issue between scholarship ...
... literary work be understood to have an autonomous existence and be dealt with first in terms proposed by this understanding . This principle of the critical movement has won wide acceptance . No doubt the old issue between scholarship ...
Էջ 260
... literary artist , except because , in literary as in all other art , structure is all - important , felt , or painfully missed , everywhere ? -that architectural conception of work , which foresees the end in the beginning and never ...
... literary artist , except because , in literary as in all other art , structure is all - important , felt , or painfully missed , everywhere ? -that architectural conception of work , which foresees the end in the beginning and never ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing