Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 85–ի 1-ից 3-ը:
Էջ 54
... means of language alone , and that either in prose or verse - which verse , again , may either combine different ... means above mentioned , - namely , rhythm , tune , and metre . Such are Dithyrambic and Nomic poetry , and also Tragedy ...
... means of language alone , and that either in prose or verse - which verse , again , may either combine different ... means above mentioned , - namely , rhythm , tune , and metre . Such are Dithyrambic and Nomic poetry , and also Tragedy ...
Էջ 134
... means . If it is the aim that is moral , art loses all that by which it is powerful , -I mean its freedom , and that ... means in order to charm us , but also because even the pleasure which it procures us is a means of morality . There ...
... means . If it is the aim that is moral , art loses all that by which it is powerful , -I mean its freedom , and that ... means in order to charm us , but also because even the pleasure which it procures us is a means of morality . There ...
Էջ 305
... means . One means something more or less proportionate to one's experience . One means something quite different at different periods of one's life . It is for some such reason that all criticism should be professedly personal criticism ...
... means . One means something more or less proportionate to one's experience . One means something quite different at different periods of one's life . It is for some such reason that all criticism should be professedly personal criticism ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing