Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 48–ի 1-ից 3-ը:
Էջ 59
... necessary , and a magnitude which may be easily embraced in one view ; so in the plot , a certain length is necessary , and a length which can be easily embraced by the memory . The limit of length in relation to dramatic competition ...
... necessary , and a magnitude which may be easily embraced in one view ; so in the plot , a certain length is necessary , and a length which can be easily embraced by the memory . The limit of length in relation to dramatic competition ...
Էջ 61
... necessary sequence . Bad poets compose such pieces by their own fault , good poets , to please the players ; for , as they write show pieces for competition , they stretch the plot beyond its capacity , and are often forced to break the ...
... necessary sequence . Bad poets compose such pieces by their own fault , good poets , to please the players ; for , as they write show pieces for competition , they stretch the plot beyond its capacity , and are often forced to break the ...
Էջ 120
... necessary adjunct of true poetry . But , perhaps , of poetry as a mental operation , metre or music is no necessary adjunct : it is , however , by the music of metre that poetry has been discriminated in all languages ; and , in ...
... necessary adjunct of true poetry . But , perhaps , of poetry as a mental operation , metre or music is no necessary adjunct : it is , however , by the music of metre that poetry has been discriminated in all languages ; and , in ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing