Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 50–ի 1-ից 3-ը:
Էջ 99
... passions are naturally included as belonging to the characters . I speak not of pity and of terror , which are to be moved in the audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are ...
... passions are naturally included as belonging to the characters . I speak not of pity and of terror , which are to be moved in the audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are ...
Էջ 101
... passions which they produce are ever crossing and jostling each other out of the way . He who treats of joy and ... passions : because it has been proved already that confused passions make undistinguishable characters : yet I cannot ...
... passions which they produce are ever crossing and jostling each other out of the way . He who treats of joy and ... passions : because it has been proved already that confused passions make undistinguishable characters : yet I cannot ...
Էջ 148
... passions the language of which , if selected truly and judiciously , must necessarily be dignified and variegated , and alive with metaphors and figures . I forbear to speak of an incongruity which would shock the intelligent Reader ...
... passions the language of which , if selected truly and judiciously , must necessarily be dignified and variegated , and alive with metaphors and figures . I forbear to speak of an incongruity which would shock the intelligent Reader ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing