Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 9
... poet somewhat in mind , chiefly in his willingness to submit his natural energies to the rational control of precept and tradition . As the eighteenth century ad- vanced , however , criticism became increasingly interested in the ...
... poet somewhat in mind , chiefly in his willingness to submit his natural energies to the rational control of precept and tradition . As the eighteenth century ad- vanced , however , criticism became increasingly interested in the ...
Էջ 54
... poetic imita- tions in iambic , elegiac , or any similar metre . People do , indeed , add the word " maker " or " poet " to the name of the metre , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not ...
... poetic imita- tions in iambic , elegiac , or any similar metre . People do , indeed , add the word " maker " or " poet " to the name of the metre , and speak of elegiac poets , or epic ( that is , hexameter ) poets , as if it were not ...
Էջ 151
... Poet's thoughts are everywhere ; though the eyes and senses of man are , it is true , his favourite guides , yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last ...
... Poet's thoughts are everywhere ; though the eyes and senses of man are , it is true , his favourite guides , yet he will follow wheresoever he can find an atmosphere of sensation in which to move his wings . Poetry is the first and last ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing