Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 46–ի 1-ից 3-ը:
Էջ 15
... possible effort , in Matthew Arnold's famous words , " to see the object as in itself it really is " and to describe it accordingly . But we know that what is seen by one critic with the best possible will to see accurately is likely to ...
... possible effort , in Matthew Arnold's famous words , " to see the object as in itself it really is " and to describe it accordingly . But we know that what is seen by one critic with the best possible will to see accurately is likely to ...
Էջ 60
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
... possible : but what has happened is manifestly possible : other- wise it would not have happened . Still there are even some tragedies in which there are only one or two well known names , the rest being fictitious . In others , none ...
Էջ 300
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
... possible number of words . I do not mean that he skimps paper , or that he screws about like Tacitus13 to get his thought crowded into the least possible space . But , granting that two sentences are at times easier to understand than ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
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Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing