Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - 629 էջ |
From inside the book
Արդյունքներ 80–ի 1-ից 3-ը:
Էջ 59
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be ...
... whole that is wanting in magnitude . A whole is that which has a beginning , a middle , and an end . A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be ...
Էջ 80
... whole of which it is a part . Wherefore I too , desiring to furnish something by way of introduction to the above - named portion of the Comedy , have thought that something concerning the whole work should be premised , that the ...
... whole of which it is a part . Wherefore I too , desiring to furnish something by way of introduction to the above - named portion of the Comedy , have thought that something concerning the whole work should be premised , that the ...
Էջ 82
... whole , taken literally , is " the state of souls after death , " not limited but taken without qualification , it is clear that in this part that same state is the subject , but with a limitation , to wit , " the state of blessed souls ...
... whole , taken literally , is " the state of souls after death , " not limited but taken without qualification , it is clear that in this part that same state is the subject , but with a limitation , to wit , " the state of blessed souls ...
Բովանդակություն
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Հեղինակային իրավունք | |
17 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing