Time and the NovelHumanities Press, 1972 - 245 էջ |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
Էջ vi
... century England , but also in seventeenth century France , to which the eighteenth century practice is so much indebted . I have often felt the need for a volume of selections , showing in ordered and articulated fashion how the early ...
... century England , but also in seventeenth century France , to which the eighteenth century practice is so much indebted . I have often felt the need for a volume of selections , showing in ordered and articulated fashion how the early ...
Էջ 1
Adam Abraham Mendilow. CHAPTER 1 THE TIME - OBSESSION OF THE TWENTIETH CENTURY Never perhaps have our feelings about time changed so radically and assumed such importance in our eyes as in this century . Spengler maintains that this ...
Adam Abraham Mendilow. CHAPTER 1 THE TIME - OBSESSION OF THE TWENTIETH CENTURY Never perhaps have our feelings about time changed so radically and assumed such importance in our eyes as in this century . Spengler maintains that this ...
Էջ 201
... century novel . For one thing , the term ' the twentieth century novel ' is too vague . When one speaks of the eighteenth century novel , for example , the phrase conjures up those few books sifted by time as the best and most ...
... century novel . For one thing , the term ' the twentieth century novel ' is too vague . When one speaks of the eighteenth century novel , for example , the phrase conjures up those few books sifted by time as the best and most ...
Բովանդակություն
The timeobsession of fiction | 10 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
15 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter meaning medium method mind modern fiction narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance Sterne story structure suspense technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis