Time and the NovelHumanities Press, 1972 - 245 էջ |
From inside the book
Արդյունքներ 68–ի 1-ից 3-ը:
Էջ 36
... conventions of form , medium and ap a place of the old , new conventions heir thinking , fewer demands on the e readers . Their intention is clear . It is the schools of fiction - Naturalism , Realism , pressionism and all the other ...
... conventions of form , medium and ap a place of the old , new conventions heir thinking , fewer demands on the e readers . Their intention is clear . It is the schools of fiction - Naturalism , Realism , pressionism and all the other ...
Էջ 37
... conventions over others . What is even more difficult to appreciate is that the reality itself towards which they aspire through their new or adapted conventions is itself not absolute but relative to themselves and to their times . For ...
... conventions over others . What is even more difficult to appreciate is that the reality itself towards which they aspire through their new or adapted conventions is itself not absolute but relative to themselves and to their times . For ...
Էջ 41
... conventions of fiction till quite recent times are those familiar from the forms of poetry . In distinguishing the conventions under the headings of theme , form and medium , it must never for one moment be forgotten that the division ...
... conventions of fiction till quite recent times are those familiar from the forms of poetry . In distinguishing the conventions under the headings of theme , form and medium , it must never for one moment be forgotten that the division ...
Բովանդակություն
The timeobsession of fiction | 10 |
The time and the space arts | 23 |
The time problems of fiction | 30 |
Հեղինակային իրավունք | |
15 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action artistic causality century characters chronological duration clock consciousness contemporary conventions convey critics Dalloway device digressions Dorothy Richardson dramatic effect epic episodes experience exposition expression feeling fictive present Ford Madox Ford Gertrude Stein Gide give happened Henry James hero historical human illusion imagination impression incident interest Joseph Conrad language limited literature living matter meaning medium method mind modern fiction narration narrative nature novelist omniscient author Orlando painting passage past pattern person novel plane play plot plot novel poetry Preface principle problems progression Proust psychological duration qu'il reader reading reality relation Richardson romances scene selection sense sequence significance Sterne story structure suspense technique temporal tense theme theory thing Thomas Mann thought time-arts time-shift tion Tom Jones Tristram Shandy truth Uncle Toby values Virginia Woolf Walter Shandy whole words writer Writer's present Wyndham Lewis