...for the compositional arrangement; one would draw and the others would criticize . . .", quoted in Albert Boime, The Academy and French Painting in the Nineteenth Century (London: Phaidon Press, 1971), p. 60. It seems that in the Gleyre studio students were also fond of putting...

...discussion of the institutionalization of copying within nineteenth-century artistic training, see Albert Boime, The Academy and French Painting in the Nineteenth Century (London: Phaidon, 1971). 11. Cited by Steven Z. Levine, "The 'Instant' of Criticism and Monet's Critical Instant,"...

...ateliers, in the industrial schools and in the 34 drawing programme of the State school 35. system.' A. Boime, The Academy and French Painting in the Nineteenth Century, London 1971, 36 p. 24. Although Boime is referring to Continental practice, a similar practice prevailed 37 in England...

...term "generative phase" is derived from Albert Boime's discussion of French academic painting. See Albert Boime, The Academy and French Painting in the Nineteenth Century (London and New York: Phaidon Press, 1971), 87. 26. See, for example, Gordon M. Wilbur to Rockwell Kent, 1...

...Feerie a 1'etat d'esquisse.) 55. A good discussion of these terms in nineteenth-century usage is by Albert Boime, The Academy and French Painting in the Nineteenth Century (London and New York, 1971), esp. pp. 36-41, 43-47. In the criticism we shall be considering, esquisse often...

...XVI (Vienna, 1893), translated into Italian as L'Arte di Corte nel secolo decimoquarto (np, 1965). 3. Albert Boime, The Academy and French Painting in the Nineteenth Century (London, 1971), 122 ff. 4. St. Jerome, Epistola LIII; Migne, Patrologia Latina, vol. XXII, col. 545. 5. The following...

...Books, 1962 Franz Boas. Primitive Art, New York, Dover Publications, 1955 (originally published in 1927) Albert Boime. The Academy and French Painting in the Nineteenth Century, London and New York, Phaidon Press, 1971 Pierre Bourdieu. The Field of Cultural Production: Essays on Art...

...in this period see John House, Landscapes of France: Impressionism and its Rivals (London, 1995); A. Boime, The Academy and French Painting in the Nineteenth Century (London, 1971). See alsoj. Bouret, The Barbizon School and 19th Century Landscape Painting (London, 1973). The literature...

..."synthetic approach." 43. Franz Cizek, quoted in Malvern, "Inventing 'Child Art' " (as in note 29), 267. 44. Albert Boime, The Academy and French Painting in the Nineteenth Century (London: Phaidon Press, 1971), 175, 43. 45. Ruskin, Elements of Drawing (as in note 2), 169, 167. 46. RL Duffus,...

...Taussig, Mimesis and Alterity: A Particular History of the Senses (New York, 1993), esp. pp. 44-58; also Albert Boime, The Academy and French Painting in the Nineteenth Century (London, 1971), pp. 123-4. 5 Hayden White, 'Interpretation in history', in idem, Tropics of Discourse: Essays in Cultural...