n Gyves and the mill had tamed thee. O, that fortune From the unforeskinn'd race of whom thou bear'st 1095 1100 Sam. Boast not of what thou wouldst have done, but do 1105 What then thou wouldst; thou seest it in thy hand. And thou hast need much washing to be touch'd. Then put on all thy gorgeous arms, thy helmet And brigandine of brass P, thy broad habergeon, Must I repent? I cannot do it better than in gyves. And in Fairfax's "Tasso," b. v. st. 42: These hands were made to shake sharp spears and swords, 1110 1115 1120 • Sight may give thee, Or rather flight. This play on words is beneath Milton. P And brigandine of brass, &c. "Brigandine,” a coat of mail. Jer. xlvi. 4:—“Furbish the spears, and put on the brigandines." See also li. 3. "Habergeon," a coat of mail for the neck and shoulders. "Faer. Qu." II. vi. 29:— Their mighty strokes their habergeons dismail'd, "Spalles," that is, shoulders. And see Fairfax, b. i. st. 72. "Vant-brace," avant bras, armour for the arms. So, in "Troil. and Cres," a. i. s. 6. Nestor speaks: I'll hide my silver beard in a gold beaver, 66 And see Fairfax, b. xx. st. 139:-"Greves," armour for the legs. 1 Sam. xvii. 6:"And he had greves of brass upon his legs." Gauntlet," an iron glove. "Hen. IV." p. II. a. i. s. 3. old Northumberland speaks: Hence therefore, thou nice crutch; Vant-brace, and greves, and gauntlet; add thy spear, 1125 Har. Thou durst not thus disparage glorious arms, 1130 Which greatest heroes have in battle worn, Their ornament and safety, had not spells And black enchantments, some magician's art, Arm'd thee or charm'd thee strong, which thou from Heaven 1135 Sam. I know no spells, use no forbidden arts: No less through all my sinews, joints, and bones, For proof hereof, if Dagon be thy god, A weaver's beam. As the spear of Goliath was.-T. Warton. And seven-times-folded shield. 1140 1145 As was Ajax's Ovid. "Met." xiii. 2:-"Clypei dominus septemplicis."-NEWTON. • Arm'd thee or charm'd thee strong. Mr. Thyer here observes, it is very probable that Milton adopted this notion from the Italian epics, who are very full of enchanted arms, and sometimes represent their heroes invulnerable by this art. But, as Mr. Warton remarks, the poet's idea is immediately and particularly taken from the ritual of the combat in chivalry. See "Comus," v. 647. Samson replies, I know no spells, use no forbidden arts; My trust is in the living God. Here, it must be observed, is a direct allusion to the oath taken before the judges of the combat by the champions :-"I do swear, that I have not upon me, nor on any of the arms I shall use, words, charms, or enchantments, to which I trust for help to conquer my enemy; but that I do only trust in God, in my right, and in the strength of my body and arms. Cockburn's "Hist. of Duels," p. 115, The poet here says "black enchantments," in like manner as Machin, introducing the same ancient oath in his "Dumb Knight," 1633. "Here you shall swear," &c. That here you stand not arm'd with any guile Of philters, charms, of night-spells, characters, Milton's Harapha, as Mr. Warton observes, is as much a Gothic giant as any in Amadis de Gaul; and, like a Gothic giant, engages in a just cause against a virtuous champion. -TODD. Or ruffled porcupines. Who can doubt that Milton here had Shakspeare in mind? "Hamlet," a. i. s. 8: And each particular hair to stand on end, Go to his temple, invocate his aid To frustrate and dissolve these magick spells, To put out both thine eyes, and fetter'd send thee Sam. All these indignities, for such they are By combat to decide whose god is God, Thine, or whom I with Israel's sons adore. Har. Fair honour that thou dost thy God, in trusting He will accept thee to defend his cause, A murderer, a revolter, and a robber! Sam. Tongue-doughty giant, how dost thou prove me these? Their magistrates confess'd it when they took thee As a league-breaker, and deliver❜d bound Into our hands: for hadst thou not committed At Ascalon, who never did thee harm, Then like a robber stripp'dst them of their robes ? There to grind Among the slaves and asses, thy comrades. 1150 1155 1160 1165 1170 1176 1180 1185 There can be no doubt that Milton had here Apuleius's description of a pistrinum in his mind. See "Met." ix. ad init., where the ass, who is the speaker, says,"Jam de meo jumentaric contubernio quid, vel ad quem modum, memorem ?"-DUNSTER. Went up with armed powers thee only seeking, Sam. Among the daughters of the Philistines Under pretence of bridal friends and guests, Who, threatening cruel death, constrain❜d the bride To wring from me, and tell to them, my secret, That solved the riddle which I had proposed. When I perceived all set on enmity, As on my enemies, wherever chanced, I used hostility and took their spoil, It was the force of conquest: force with force 1190 1195 1200 1205 As a league-breaker gave up bound, presumed I was no private, but a person raised With strength sufficient, and command from Heaven, To free my country if their servile minds Me, their deliverer sent, would not receive, 1210 1215 The unworthier they; whence to this day they serve. As a petty enterprise of small enforce. W Har. With thee? a man condemn'd, a slave inroll'd, Due by the law to capital punishment ? To fight with thee, no man of arms will deign. ▾ Under pretence of bridal friends. 1220 1225 The attendant young men at Samson's marriage are said to have belonged to his wife's family, and not to have been, as was usual, his own relations or acquaintance. Josephus relates that under the pretence of honour, they sent these thirty companions to watch over him, lest he should commit any disturbance.-TODD. w Answer thy appellant. Thy challenger. The defendant, in like manner, signifies the person challenged. Thus, in Shakspeare's "King Henry VI." p. II. a. ii. s. 3 : This is the day appointed for the combat; And ready are the appellant and defendant, * Who now defies thee thrice. This was the custom and the law of arms, to give the challenge and to sound the trumpet thrice. In allusion to the same practice, Edgar appears, to fight with the Bastard, by the sound of the third trumpet," King Lear, a. v. s. 7.-NEWTON. Sam. Camest thou for this, vain boaster, to survey me, Sam. No man withholds thee, nothing from thy hand My heels are fetter'd, but my fist is free. Har. This insolence other kind of answer fits. Cho. His giantship is gone somewhat crest-fallen, Sam. I dread him not, nor all his giant brood, Cho. He will directly to the lords, I fear, And with malicious counsel stir them up 1230 1235 1240 [Exit. 1245 1250 Some way or other, yet farther to afflict thee. Sam. He must allege some cause, and offer'd fight They cannot well impose, nor I sustain ; 1255 prove The work of many hands, which earns my keeping y O Baal-zebub. 1260 1265 He is properly made to invoke Baal-zebub, as afterwards to swear by Astaroth; that is, the deities of the Philistines and neighbouring nations.-NEWTON. Ere long thou shalt lament These braveries, &c. This connects Harapha with the business of the drama, by making his revenge for the threatening and contemptuous language of Samson the cause, why the latter is to be brought before the public assembly to make sport for them.—DUNSTER. a Father of five sons, &c. The story of Goliath of Gath is very well known; and the other four are mentioned 2 Sam. xxi. 15-22 :-"These four were born to the giant [or to Herapha] in Gath, and fell by the hand of David and by the hand of his servants."-NEWTON. |