Calabria from the hoarse Trinacrian shore : Or substance might be call'd that shadow seem'd, 665 670 And shook a dreadful dart; what seem'd his head Satan was now at hand, and from his seat With horrid strides; hell trembled as he strode. 675 The undaunted fiend what this might be admired; Whence and what art thou, execrable shape, • Lured with the smell of infant blood. 680 Here is a mixture of classical and demonological learning. Compare Eschylus, "Eumenid." 246, ed. Schütz.; and Wierus, "De Lamiis," 4to. 1852, coll. 240, 241. --TODD. P The labouring moon. The ancients believed the moon greatly affected by magical practices; and the Latin poets call the eclipses of the moon, labores lunæ. The three foregoing lines, and the former part of this, contain a short account of what was once believed, and in Milton's time not so ridiculous as now.-RICHARDSON. The other shape. God and his Son except, See Spenser, F. Q. VII. vii. 46.—THYER. Created thing. The commentators try in vain to justify this ungrammatical expression. s Whence and what art thou? Milton has interwoven in the texture of his fable some particulars which do not seem to have probability enough for an epic poem; particularly in the actions which he ascribes to Sin and Death, and the picture which he draws of the Limbo of Vanity, with other passages in the second book. Such allegories rather savour of the spirit of Spenser and Ariosto, than of Homer and Virgil. It is, however, a very finished piece of its kind, when it is not considered as a part of an epic poem. The genealogy of the several persons is contrived with great delicacy: Sin is the daughter of Satan, and Death the offspring of Sin: the incestuous mixture between Sin and Death produces those monsters and hell-hounds, which from time to time enter into their mother, and tear the bowels of her who gave them birth: these are the terrors of an evil conscience, and the proper fruits of Sin, which naturally rise from the apprehensions of death. This last beautiful moral is, I think clearly intimated in the speech of Sin, where, complaining of this her dreadful issue, she adds : Before mine eyes in opposition sits Grim Death, my son and foe; who sets them on, For want of other prey, but that he knows His end with mine involved. I need not mention to the reader the beautiful circumstance in the last part of this That darest, though grim and terrible, advance To yonder gates? through them I mean to pass, Who first broke peace in heaven, and faith, till then Thy lingering, or with one stroke of this dart So speaking, and so threatening, grew tenfold 685 690 695 700 705 710 quotation he will likewise observe how naturally the three persons concerned in this allegory are tempted, by one common interest, to come into a confederacy together: and how properly Sin is made the portress of hell, and the only being than can open the gates of that world of tortures. The descriptive part of this allegory is likewise very strong, and full of sublime ideas. The figure of Death, the regal crown upon his head, the menace of Satan, his advancing to the combat, the outcry at his birth, are circumstances too noble to be passed over in silence, and extremely suitable to this king of terrors. I need not mention the justness of thought which is observed in the generation of these several symbolical persons; that Sin was produced upon the first revolt of Satan, that Death appeared soon after he was cast into hell, and that the terrors of conscience were conceived at the gate of this place of torments. The description of the gates is very poetical, as the opening of them is full of Milton's spirit.-ADDISON. Addison seems to have been strangely nice in the objection to the introduction of these shadowy beings into an epic poem; and so thought Dr. Newton. And like a comet burn'd. The ancient poets frequently compare a hero in his shining armour to a comet. Poetry delights in omens, prodigies, and such wonderful events as were supposed to follow upon the appearance of comets, eclipses, and the like.-NEWTON. With heaven's artillery fraught, come rattling on Grew darker at their frown; so match'd they stood; To meet so great a Foe: and now great deeds Had been achieved, whereof all hell had rung, Possesses thee to bend that mortal dart Against thy father's head? and know'st for whom? She spake, and at her words the hellish pest 715 720 725 730 735 So strange thy outcry, and thy words so strange 740 What thing thou art, thus double form'd; and why, In this infernal vale first met, thou call'st Me father, and that phantasm call'st my son: I know thee not, nor ever saw till now To whom thus the portress of hell gate replied: Hast thou forgot me then, and do I seem In heaven? when at the assembly, and in sight Of all the seraphim with thee combined Surprised thee; dim thine eyes, and dizzy swum Over the Caspian. 745 750 755 With great judgment did the poet take this simile from the Caspian; for that sea is remarkably tempestuous. See "Purchas his Pilgrimes," part iii. p. 241: and Horace, Ode II. ix. 2.-BowLE. So great a Foe. Jesus Christ, who, as it follows v. 734, will one day destroy both Death, and "him that has the power of death, that is, the devil." Heb. ii. 14.-NEWTON. Out of thy head I sprung: amazement seized And fields were fought in heaven; wherein remain'd Driven headlong from the pitch of heaven, down I also; at which time this powerful key my Into hand was given, with charge to keep Tore through my entrails, that, with fear and pain w Out of thy head I sprung. 760 765 770 775 780 785 790 Sin is rightly made to spring out of the head of Satan, as Wisdom or Minerva did out of Jupiter's; and Milton describes the birth of the one very much in the same manner as the ancient poets have described that of the other, particularly the author of the "Hymn to Minerva," vulgarly ascribed to Homer: and what follows seems to be a hint improved upon Minerva's being ravished soon after her birth by Vulcan, as we may learn from Lucian, "Dial. Vulcani et Jovis," et "de Domo."--NEWTON. Insonuere cavæ, gemitumque dedere, cavernæ.-HUME. The repetition of Death here is a beauty of the same kind as that of the name of Eurydice in Virgil, Georg. iv. 525, and of Hylas, Ecl. vi. 44.-NEWTON. But how infinitely more sublime ! These yelling monsters, that with ceaseless cry Grim Death, my son and foe, who sets them on; She finish'd, and the subtle fiend his lore 795 800 805 810 815 : Soon learn'd, now milder, and thus answer'd smooth :- I come no enemy, but to set free From out this dark and dismal house of pain, 820 825 The unfounded deep, and through the void immense 30 Created, vast and round, a place of bliss In the purlieus of heaven, and therein placed To know; and, this once known, shall soon return, y Dear daughter. 835 Satan had now learned his lore or lesson; and the reader will observe how artfully he changes his language: he had said before that he had never seen "sight more detestable;" but now it is dear daughter, and fair son.-NEWTON. |