The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 12–ի 1-ից 5-ը:
Էջ 3
... affected when felt externally ; nor even when the whisper is considerably increased , both as to loudness and lowness . But when we produce audible sound , or what is commonly called speaking above the breath , a very different effect ...
... affected when felt externally ; nor even when the whisper is considerably increased , both as to loudness and lowness . But when we produce audible sound , or what is commonly called speaking above the breath , a very different effect ...
Էջ 18
... pitch of the voice ; its highness or lowness , loudness or softness , harshness or smoothness . They are affected by all the possible varieties of modulation that occur in speech , and by the infinite- 18 RHYTHMICAL GRAMMAR .
... pitch of the voice ; its highness or lowness , loudness or softness , harshness or smoothness . They are affected by all the possible varieties of modulation that occur in speech , and by the infinite- 18 RHYTHMICAL GRAMMAR .
Էջ 89
... affected by the position of the syllable , and the consonants of which it is composed . 3. Let him write out exercises of four syllables , the first having the syllabic emphasis . All words of four syllables , with the first having the ...
... affected by the position of the syllable , and the consonants of which it is composed . 3. Let him write out exercises of four syllables , the first having the syllabic emphasis . All words of four syllables , with the first having the ...
Էջ 98
... affected by our nature , that either a tune or a discourse will give some uneasiness , or at least not be quite satisfactory to nice ears , if its whole duration be not measured by an even number of com- plete cadences , commensurable ...
... affected by our nature , that either a tune or a discourse will give some uneasiness , or at least not be quite satisfactory to nice ears , if its whole duration be not measured by an even number of com- plete cadences , commensurable ...
Էջ 152
... affecting parts of the modern recitative , are those which come nearest to the ancient , that is , such as are spoken exactly with the same accentuation , or inflexion , and with the same ener- getic expression with which a good actor ...
... affecting parts of the modern recitative , are those which come nearest to the ancient , that is , such as are spoken exactly with the same accentuation , or inflexion , and with the same ener- getic expression with which a good actor ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words