The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 32–ի 1-ից 5-ը:
Էջ 1
... which , when modified , are called tune and time . Instead of these , the terms used here , are ME- LODY and RHYTHM , being more classical and appro- priate when applied to speech . A Neither music nor speech can be so composed , as.
... which , when modified , are called tune and time . Instead of these , the terms used here , are ME- LODY and RHYTHM , being more classical and appro- priate when applied to speech . A Neither music nor speech can be so composed , as.
Էջ 2
... applied to song , it may be de- fined , a series of sounds moving distinctly from grave to acute , or from acute to grave , by inter- vals , and always dwelling for a perceptible space of time on one certain tone : as , α b c d d F b a ...
... applied to song , it may be de- fined , a series of sounds moving distinctly from grave to acute , or from acute to grave , by inter- vals , and always dwelling for a perceptible space of time on one certain tone : as , α b c d d F b a ...
Էջ 10
... applied to successive , and not to synchronal sounds , before the accents or inflexions were added to complete it as a spoken language . Even in their most perfect state , these accents were extremely imperfect . But if any one should ...
... applied to successive , and not to synchronal sounds , before the accents or inflexions were added to complete it as a spoken language . Even in their most perfect state , these accents were extremely imperfect . But if any one should ...
Էջ 14
... applied to language , it deserves no better name , was so thoroughly established before the revival of the arts , that no mere composer of music felt any concernabout lingual accent , quantity or poize , but was quite indifferent ...
... applied to language , it deserves no better name , was so thoroughly established before the revival of the arts , that no mere composer of music felt any concernabout lingual accent , quantity or poize , but was quite indifferent ...
Էջ 17
... applied here , means all the varieties of inflexions or slides of the human voice , that can exist in spoken language . This was the meaning of accent among the Greeks , where we find it first mentioned . Although accents must be as ...
... applied here , means all the varieties of inflexions or slides of the human voice , that can exist in spoken language . This was the meaning of accent among the Greeks , where we find it first mentioned . Although accents must be as ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words