The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 39–ի 1-ից 5-ը:
Էջ iv
... Common and Triple cadences CHAP . VII . Meter , or Measure , what - Common and Tri- ple . Varieties of Meter . - Two or Three , the divisors of all Meter CHAP , VIII . Page 65 82 91 95 Rhythm . Ancient Rhythm , what - Essentials of all ...
... Common and Triple cadences CHAP . VII . Meter , or Measure , what - Common and Tri- ple . Varieties of Meter . - Two or Three , the divisors of all Meter CHAP , VIII . Page 65 82 91 95 Rhythm . Ancient Rhythm , what - Essentials of all ...
Էջ 9
... common , in so far as delivery is concerned , we should be as much disgusted with it in public speakers as we are when we hear bad singing at public exhibi- tions . We see this strongly felt , and marked , by an audience in the theatre ...
... common , in so far as delivery is concerned , we should be as much disgusted with it in public speakers as we are when we hear bad singing at public exhibi- tions . We see this strongly felt , and marked , by an audience in the theatre ...
Էջ 12
... common rhythm : and , if sentiment takes a part in determining the mea- sure , their union becomes still more happy and intimate ; for music has no expression but in virtue of her heavy notes , nor have her heavy notes any imitative ...
... common rhythm : and , if sentiment takes a part in determining the mea- sure , their union becomes still more happy and intimate ; for music has no expression but in virtue of her heavy notes , nor have her heavy notes any imitative ...
Էջ 13
... common principle of their union . This spirit is not confined to the regular drama ; it inspires the lover's address , the conqueror's triumph , the cap- tive's lamentation : in short , it may govern every mode of composition in which ...
... common principle of their union . This spirit is not confined to the regular drama ; it inspires the lover's address , the conqueror's triumph , the cap- tive's lamentation : in short , it may govern every mode of composition in which ...
Էջ 15
... common dis- course , and in musical melodies , were never led astray ; but by habit came to know as familiarly the accentual and rhythmical properties of every word , as we do at present the quantities of every common hackneyed tune ...
... common dis- course , and in musical melodies , were never led astray ; but by habit came to know as familiarly the accentual and rhythmical properties of every word , as we do at present the quantities of every common hackneyed tune ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words