The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 40–ի 1-ից 5-ը:
Էջ iv
... Force or Quality of Sound . Swelling or Increasing in Loud- ness - Decreasing in Loudness . - Loudness uniformly continued CHAP . XI . Monotone . - No Monotone , musically speaking , exists in Spoken Language . - Errors of Au- 116 123 ...
... Force or Quality of Sound . Swelling or Increasing in Loud- ness - Decreasing in Loudness . - Loudness uniformly continued CHAP . XI . Monotone . - No Monotone , musically speaking , exists in Spoken Language . - Errors of Au- 116 123 ...
Էջ x
... force in the pitches of the voice , and the encrease , decrease and uni- formity of tone necessary for the peculiar structure of sentences . These are so distinctly presented to the eye , that any boy of ordinary capacity , of seven or ...
... force in the pitches of the voice , and the encrease , decrease and uni- formity of tone necessary for the peculiar structure of sentences . These are so distinctly presented to the eye , that any boy of ordinary capacity , of seven or ...
Էջ xv
... Force . Acute accent , grave accent \ Circumflex ; acute - grave , grave- acute Grace notes , or partial circum ... force ▽ . ( Soft , softer 44 , softest 44 . { Loud , *** . Loud , louder , loudest →→→ . Bars , or boundaries of ...
... Force . Acute accent , grave accent \ Circumflex ; acute - grave , grave- acute Grace notes , or partial circum ... force ▽ . ( Soft , softer 44 , softest 44 . { Loud , *** . Loud , louder , loudest →→→ . Bars , or boundaries of ...
Էջ 3
... , above de- scribed , we shall distinctly feel its vibrations : and , in proportion as we give force and energy to the voice , these vibrations become more strongly marked . That state of the voice , in vocal music , RHYTHMICAL GRAMMAR . 3.
... , above de- scribed , we shall distinctly feel its vibrations : and , in proportion as we give force and energy to the voice , these vibrations become more strongly marked . That state of the voice , in vocal music , RHYTHMICAL GRAMMAR . 3.
Էջ 8
... force , elegance , precision - fluency of language , and bold masculine strokes of eloquence , in our public speakers ; but these are only the minor parts of oratory : for , with one exception , they may all be exhibited in the dead ...
... force , elegance , precision - fluency of language , and bold masculine strokes of eloquence , in our public speakers ; but these are only the minor parts of oratory : for , with one exception , they may all be exhibited in the dead ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words