The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 5-ը:
Էջ 3
... four or five cartilages , and forms that knot which may be felt externally on the fore part of the throat . The small opening in the centre of the Larynx , through which we breathe , is called the Glottis . By this little opening , all ...
... four or five cartilages , and forms that knot which may be felt externally on the fore part of the throat . The small opening in the centre of the Larynx , through which we breathe , is called the Glottis . By this little opening , all ...
Էջ 48
... four times quicker than the extremely deliberate one , should give Oh the time of a p , don't will have the time of a p , do the time of a , and it the time of half a quaver . All these diversities , however , may be considered as ...
... four times quicker than the extremely deliberate one , should give Oh the time of a p , don't will have the time of a p , do the time of a , and it the time of half a quaver . All these diversities , however , may be considered as ...
Էջ 66
... four , is inapplicable , because it is invariably applied to all sorts of style , whether serious or comic , deliberate or rapid , with or with- out passion ; although every author has not only his peculiar style , but his peculiar tune ...
... four , is inapplicable , because it is invariably applied to all sorts of style , whether serious or comic , deliberate or rapid , with or with- out passion ; although every author has not only his peculiar style , but his peculiar tune ...
Էջ 75
... four ; which is applied to every species of composition and to every subject , without any regard to the nature of a cadence , the rhythm , the style , or the quickness or slowness of the delivery . INTERROGATION AND EXCLAMATION . The ...
... four ; which is applied to every species of composition and to every subject , without any regard to the nature of a cadence , the rhythm , the style , or the quickness or slowness of the delivery . INTERROGATION AND EXCLAMATION . The ...
Էջ 80
... four corners , was a right angle . I had my rule and compasses , my Lord , in my pocket ! " - Excellent critic ! " 7 And , for the epic poem your Lordship bid me look at upon taking the length , breadth , " heighth , and depth of it ...
... four corners , was a right angle . I had my rule and compasses , my Lord , in my pocket ! " - Excellent critic ! " 7 And , for the epic poem your Lordship bid me look at upon taking the length , breadth , " heighth , and depth of it ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words