The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
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Արդյունքներ 67–ի 1-ից 5-ը:
Էջ xv
... heavy light lightest .. · Of sense and of force ▽ . ( Soft , softer 44 , softest 44 . { Loud , *** . Loud , louder , loudest →→→ . Bars , or boundaries of cadences | | . Increase of force www Decrease of force force www мишти 7 ...
... heavy light lightest .. · Of sense and of force ▽ . ( Soft , softer 44 , softest 44 . { Loud , *** . Loud , louder , loudest →→→ . Bars , or boundaries of cadences | | . Increase of force www Decrease of force force www мишти 7 ...
Էջ 4
... heavy and light , but without inflexions of acute and grave : this is not reading . 3. The clerical drawl Portions of half enunciated sound , uniformly divided into equal quantities ; com- - mencing always in the heavy tone , and ...
... heavy and light , but without inflexions of acute and grave : this is not reading . 3. The clerical drawl Portions of half enunciated sound , uniformly divided into equal quantities ; com- - mencing always in the heavy tone , and ...
Էջ 5
... heavy tone , and terminating in imperfect murmurs . 4. The cathedral chant Stated alternations . 5. The humdrum style Stationary alter- nations of loud and soft , of high and low , on stated portions of each verse , or on particular ...
... heavy tone , and terminating in imperfect murmurs . 4. The cathedral chant Stated alternations . 5. The humdrum style Stationary alter- nations of loud and soft , of high and low , on stated portions of each verse , or on particular ...
Էջ 12
... heavy notes , im- properly called accents , and thwart her in the exertion of her natural powers . And , for this ... heavy notes , nor have her heavy notes any imitative force but what they derive from sentiment . - The truth is 12 ...
... heavy notes , im- properly called accents , and thwart her in the exertion of her natural powers . And , for this ... heavy notes , nor have her heavy notes any imitative force but what they derive from sentiment . - The truth is 12 ...
Էջ 17
... heavy and light , metrically subdivided by quantity , long and short . These are expressed thus : 1. ACCENT . - 2 . QUANTITY . - 3 . PAUSE.- 4. EMPHASIS . - 5 . FORCE , or quality of sound .. ACCENT . Accent restored to its true and ...
... heavy and light , metrically subdivided by quantity , long and short . These are expressed thus : 1. ACCENT . - 2 . QUANTITY . - 3 . PAUSE.- 4. EMPHASIS . - 5 . FORCE , or quality of sound .. ACCENT . Accent restored to its true and ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words