The Original Rhythmical Grammar of the English Language: Or, the Art of Reading and Speaking, on the Principles of the Music of SpeechJ. Robertson, 1821 - 348 էջ |
From inside the book
Արդյունքներ 20–ի 1-ից 5-ը:
Էջ 9
... kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy this defect by the present mode of tuition , and the time and study that a modern education bestows on ...
... kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy this defect by the present mode of tuition , and the time and study that a modern education bestows on ...
Էջ 13
... kind of enchantment , paint visible objects . To paint by movements would be en- chantment indeed ; but the wonder ceases , when we are made to understand , that music has no means of representing a visible object , but by producing in ...
... kind of enchantment , paint visible objects . To paint by movements would be en- chantment indeed ; but the wonder ceases , when we are made to understand , that music has no means of representing a visible object , but by producing in ...
Էջ 14
... kind , in our lan- guage , is the Feast of Alexander , by Dryden . Here music unites with poetry in the character of a descrip- tive art ; but then the objects of her descriptions are her own impressions . It was objected by Aristotle ...
... kind , in our lan- guage , is the Feast of Alexander , by Dryden . Here music unites with poetry in the character of a descrip- tive art ; but then the objects of her descriptions are her own impressions . It was objected by Aristotle ...
Էջ 18
... kind , on any syllable or word ; nor does it ever supply the place of quantity . ACCENTS , HOW VARIED IN THEIR APPLICATION . All the varieties of accents , however va- ried in their application , originate from two sim- ple ...
... kind , on any syllable or word ; nor does it ever supply the place of quantity . ACCENTS , HOW VARIED IN THEIR APPLICATION . All the varieties of accents , however va- ried in their application , originate from two sim- ple ...
Էջ 39
... kind , as the arts of consolation , and supporting one's self under affliction . 21. An extravagant man , who has nothing else to support him but a false generosity , is often more beloved and esteemed than a person of a much more ...
... kind , as the arts of consolation , and supporting one's self under affliction . 21. An extravagant man , who has nothing else to support him but a false generosity , is often more beloved and esteemed than a person of a much more ...
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Common terms and phrases
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning scholar semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words